A Quote by Taika Waititi

I don't have any room in my heart for that character [Kevin McCallister ]. I like the actor [Macaulay Culkin], but the character, no. — © Taika Waititi
I don't have any room in my heart for that character [Kevin McCallister ]. I like the actor [Macaulay Culkin], but the character, no.
There's more to me, you know? I'm not Macaulay Culkin, 'Home Alone' kid. I'm Macaulay Culkin... actor.
Where does a character come from? Because a character, at the end of the day, a character will be the combination of the writing of the character, the voicing of the character, the personality of the character, and what the character looks like.
Whether or not I am a 'character actor' or any other kind of actor, I really don't know. When people call me a 'character actor,' I fail to understand what it means.
We all fell in love with the young Macaulay Culkin, back in the day
I didn't really look like a character actor, yet those were the roles I loved to play. If you were a character actor who didn't necessarily look like a character actor, you had to play bad guys.
Kissing Macaulay Culkin was like kissing a brother. It was really no big deal.
I think of myself as a character actor, compared to a straight actor. I know a character actor in England is pretty much the same as in the States; you're actually hired to put on terrible teeth and stuff like that.
I’d like to be the kind of actor who is remembered for my character. You know how there are cases where even when you watch all the way through the end of a drama, you remember the actor’s name, not the character’s. I want my character’s name to be more remembered than mine.
The only thing that I know how to do as an actor, as a trained actor, is you can't villainize the character you're playing. Whether it's a fictional character or a real character. Because then you operate from that sort of negative point of view, and you can't humanize him.
When you approach it, and I hate sounding like the pretentious actor, but yeah, I think you have to find things within the character that are likeable, or at least human, and not to go at it with any sort of predetermined notions as to what that character is.
When I'm writing, I try to have the mask of my character on as I'm walking through the world. When I'm not at my desk, the rest of the time, I try to stay in that character and see the world the way that character would It's almost like method acting in a way — keeping the character close the way the actor keeps a script close and always tries to be in character.
I would love to do more acting; I really would love to do it, particularly character acting. I'm a character type of actor; I love situations where I've got a bit of room to improvise on the character.
Any character that you come up with or create is a piece of you. You're putting yourself into that character, but there's the guise of the character. So there's a certain amount of safety in the character, where you feel more safe being the character than you do being just you
I don't think I could compare myself to Macaulay Culkin, because we're pretty much two different kinds of actors.
Sometimes you'll see interviews about an actor who was asked to hit the weight room to develop his body for the character, and you hear them complaining about the egg white omelettes they had to eat and the tortures of hitting the gym twice a day - I find that to be a bit saddening, it's all a part of becoming the character and as an actor, that is your job.
I think every time you take a female character, a black character, a Hispanic character, a gay character, and make that the point of the character, you are minimalizing the character.
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