A Quote by Taika Waititi
My world is not spectacle and explosion. It's two people talking.
Quote Topics
Quote Author
Related Quotes
During the last 35 years, the artists multiplied, the public grew enormously, the economy exploded, and so-called contemporary art became fashionable. All these parameters changed the art world form its previous aspects and fundamentals - the explosion of museums and institutions, explosion of Biennales and Triennials, explosion of money, explosion of interest, explosion of artists, explosion of countries interested in contemporary exhibitions, explosion of the public. Not to see that is to be more than blind.
Globalization, as defined by rich people like us, is a very nice thing... you are talking about the Internet, you are talking about cell phones, you are talking about computers. This doesn't affect two-thirds of the people of the world.
We grow tyrannical fighting tyranny. . . . The most alarming spectacle today is not the spectacle of the atomic bomb in an unfederated world, it is the spectacle of the Americans beginning to accept the device of loyalty oaths and witch hunts, beginning to call anybody they don't like a Communist.
As far as a Latin explosion, I'm sorry, I'm the only Latino who's going to say it, but there is no Latin explosion. I'm sorry. Four or five top box office people do not make it an explosion, and it's disgusting to me that people will perceive it that way.
I say us - obviously I don't vote as I believe democracy is a pointless spectacle where we choose between two indistinguishable political parties, neither of whom represent the people but the interest of powerful business elites that run the world.
You can't blame movies for embracing spectacle; filmmakers since D.W. Griffith and Cecil B. De Mille have loved spectacle, and spectacle is something that movies convey like no other medium, especially in a digital age.
We've learned our lesson with finance because they made a huge goddamn explosion that almost shut down the world. But the thing I realized is that there might never be an explosion on the scale of the financial crisis happening with big data.
Most of 'Let the Great World Spin' is centered on the day in 1974 when Philippe Petit walked on a tightrope between the two towers of the World Trade Center, creating an astonishing spectacle that intersects with the lives of many of the novel's multiple protagonists.
As for the level of spectacle of the two disciplines, I leave it to the people who watch the races to comment.
You're going to have a racial explosion, and a racial explosion is more dangerous than an atomic explosion. It's going to explode because black people are dissatisfied; they're dissatisfied not only with the white man, but they're dissatisfied with these Negroes who have been sitting around here posing as leaders and spokesmen for black people and actually making the problem worse instead of making the problem better.
Keep in mind, when two enemies are talking, they're not fighting, they're talking. They might be yelling and screaming, but at least they're talking. It's when the talking ceases that the ground becomes fertile for violence.
I don't think people come to television for spectacle. And I don't really have a lot of fun writing spectacle for television, I'll do that in features.
People have become afraid of love because in love also, death penetrates. If two lovers are sitting side by side in deep love and intimacy, not even talking.... Talking is an escape, an escape from love. When two lovers are talking that simply shows they are avoiding the intimacy. Words in-between give distance - with no words distance disappears, death appears. In silence there is death just lurking around - a beautiful phenomenon. But people are so afraid that they go on talking whether it is needed or not. They go on talking about anything, everything - but they cannot keep silent.
We live in a world of empty spectacle, the world of spectacle rock, songs you can't remember, it's all about the expression of money, power and kind of empty and fascistic. Where technology has changed society, where people are not using their brains as much, not seeing the bigger picture but constantly looking down at the cellphone and not seeing the bigger picture. Today's songwriter need to be on outside, find their own trip if you will and find a way to connect from a place that no one has heard before. It might be taken as weird but that is what makes it unique.
She was a stirrer of the pot, a lover of intrigue and distress, a creature who seemed to draw oxygen from the spectacle of people at each other's throat, everybody in a state of upset and talking about her.
Past and future monopolize the poet’s sensory and intellectual faculties, detached from the immediate spectacle. These two philtres become utterly clear the moment one stops being hypnotized by the cloudy precipitate constituted by the world of today.
Related Authors
Alejandro Gonzalez Inarritu Quotes
Mexican
Director
Ava DuVernay Quotes
American
Director
David Lynch Quotes
American
Director
George Lucas Quotes
American
Director
Guillermo del Toro Quotes
Mexican
Director
John Waters Quotes
American
Director
Judd Apatow Quotes
American
Director
Martin Scorsese Quotes
American
Director
Nicolas Winding Refn Quotes
Danish
Director
Oliver Stone Quotes
American
Director
Peter Jackson Quotes
New Zealander
Director
Quentin Tarantino Quotes
American
Director
Ridley Scott Quotes
British
Director
Steven Spielberg Quotes
American
Director
Werner Herzog Quotes
German
Director
Woody Allen Quotes
American
Director