A Quote by Taika Waititi

Indigenous people in films, it's all, like, nose flutes and panpipes and, you know, people talking to ghosts... which I hate. — © Taika Waititi
Indigenous people in films, it's all, like, nose flutes and panpipes and, you know, people talking to ghosts... which I hate.
Everyone has that friend who's every day, like, 'I hate my nose, I hate my nose, I hate my nose.' You either need to come to peace with it and be like, alright, I hate it, but it's part of me - or change it. So I'm not against plastic surgery, I'm against plastic surgery when it doesn't really need to be done.
The vampire or the bad guy, that's what people do remember. Lars von Trier, like Guy Maddin, their films are made for a group of exclusive people who like special films. And they are special films, they are art films. And I started with commercial films at the beginning, and later on, because you know, when you are an actor, you have the same cliché like everybody else, you want to be in big films, you want to be known and all that.
Farrakhan got everybody together for the Million Man March and everything. But Farrakhan don't like the Jews. Which is bugged. I get my hair cut on Dekalb Avenue. I never been in a barbershop and heard a bunch of brothers talking about Jews. Black people don't hate Jews. Black people hate white people! We don't got time to dice white people up into little groups. I hate everybody! I don't care if you just got here. "Hey, I'm Romanian." "You Romanian cracker!"
I always have this red nose in my pocket, and if it looks like I'm taking things too seriously, or the person I'm talking to is taking them too seriously, I put the nose on. It doesn't matter what we're doing or talking about, it doesn't matter if we agree or disagree, the nose changes everything.
As an indigenous leader from Bolivia, I know what exclusion looks like. Before 1952, my people were not allowed to even enter the main squares of Bolivia's cities, and there were almost no indigenous politicians in government until the late 1990s.
I want my films to do the talking. I feel if people have to understand me better, I should do more good films. I just want them to know me through my films.
When you're talking about people like Shonda Rhimes, Vince Gilligan or Beau Willimon, you're talking to people who are notable and celebrities in their own right. People want to know how their brains work.
Indigenous people made huge contributions to this country. The biggest is in sharing the land and resources. People need to see that, understand that. Indigenous people should be viewed as the founding peoples of this land.
Usually people like to categorise artists. With my films, I categorise people: if I know which one of my movies you like, I can tell which kind of a person you are.
I think the audience know which films are aimed at their pocket, and which films are aimed at their soul. There are a lot of films out there made by people who are genuinely trying to make a change.
(What are your ghosts like?) (They are on the insides of the lids of my eyes.) (This is also where my ghosts reside.) (You have ghosts?) (Of course I have ghosts.) (But you are a child.) (I am not a child.) (But you have not known love.) (These are my ghosts, the spaces amid love.)
I've always been an ambassador for Australians, non-Indigenous Australians and Indigenous Australians... I let people know about who I am and that I'm not just a basketballer, I'm a person who comes from a very rich heritage.
I follow my own nose. So I read things that are different. People will always say to me, "Have you read Robert S. Bosco's latest novel?" or "Have you read so and so's history of Peru, which is reviewed in the New York Review of Books and the New York Times and has a buzz about it?" I don't even know what you're talking about. I'm like from another planet. I'm a pygmy from the jungle.
I'm a very private person. I like staying home and doing my stuff. I hate people invading on my privacy. I hate talking about my private life.
The good thing about England - like, if I were in France, all people would be doing is rubbing my nose in Donald Trump. As if I voted for him. Just rubbing my nose in him. And in England, they'd be rubbing my nose in it too, except for Brexit. So that means they can't rub my nose in anything!
I don't know why it is, exactly, but the people with the healthiest self-esteem, are also the greatest at intimacy. I'm not talking about arrogant people. I'm talking about people who know they are both good and bad yet believe at the deepest level they are really good for people.
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