A Quote by Taika Waititi
We all have to remember that New Zealand is built on these kind of people who are rebels and renegades, people doing it their own way, fighting for freedom, and braving the elements. I think it's cool to celebrate that.
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People just don't like me, and it's unfortunate, because I'm trying to get people to come down and visit New Zealand. I'm an ambassador for New Zealand... it's kind of sad.
I think for the most part people are proud of the bicultural foundation New Zealand is built on and the fact that we are a multicultural society.
I was impersonating people way, way, way early, as far back as I can remember. And I would do people on my street for my parents, I remember. And in school, I did the same thing with all the teachers. It was just like, I mean, it was something I loved to do. I don't think there was a time when I wasn't doing it. I was always doing it.
In Australia and New Zealand, and New Zealand especially, I always find everyone is so nice and friendly. It's one of the few places that I remember visually, like I remember where I stayed and my surroundings - and that's a good sign, because I've got a terrible memory. I'm looking forward to it!
Everybody's version of style is totally different and that's what I think keeps me going out on the street everyday is going out and kind of seeing the variations and what things maybe I'd never seen quite that way that I find very curious and how people will be able to communicate their own persona through their clothing, their posture, the way they wear their hair. I think all those elements end up becoming very interesting because I don't think I'm really particularly a people person. So for me I think it's interesting to kind of be able to read people in that way.
I love New Zealand. Every time I'm in New Zealand someone makes a joke about it being mostly sheep, which I think is unfair, because it's mostly nice people. It's mostly nice people and really wonderful scenery.
I think I started to come into my own when I started doing more original material, and that, I think, culminated in 1998's Modern Cool. I insisted on going my own way. I think until you're more prolific, people don't trust that. So at first I think it was harder. They didn't know what to think, but as I continued along that path, they generally came my way.
We've had a debate about immigration in New Zealand for some time. Now what we're trying to champion in that conversation is a recognition that New Zealand has been built off immigration. I myself am a third-generation New Zealander.
I still present myself as a New Zealander, answering people's questions about New Zealand and contributing in my own unlikely way to the global perception that Kiwis can and do fly high.
Coming from New Zealand, all the music I listen to is not made by New Zealanders. People never come to New Zealand to play a show because it's in the middle of nowhere.
There's a certain kind of existential freedom that comes to people who realize that all the things that they hold onto and that they think define them, once they're gone, there's this new freedom to determine the way you're going to live your life.
All roads lead to another road for renegades, rebels, and rogues.
From the outside, people think it's drug-related. But wherever you come from, people are driven by a sense of belonging. What I say to kids all the time is you don't own streets. We don't own the paving stones we are fighting over. Instead of fighting each other, you should be fighting the government to make this a better place to live.
New Zealand was kind of getting a reputation for making middle-of-the-road films that weren't really that unique. They were kind of New Zealand versions of overseas films, and for sure, having an Oscar nomination totally helped me get funding.
I love New Zealand and don't get to come there much. The south coast of Australia and New Zealand have a similar vibration, and a lot of the music comes from this kind of space.
It's hard to pick. I mean, I think the one that is most emblematic of the collaboration that occurred is "We Know The Way." That's the first song we wrote for the movie [Moana]. We actually got it written that weekend in New Zealand, so we're all in New Zealand, we're all absorbing this culture, and Opetaia [Foa'i] brought it in.
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