A Quote by Takashi Miike
You could not imitate Fellini. His beauty was above anything else, but that intelligence was typically Italian. This helped me to realise that I had to create something that was distinctively Japanese.
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To evoke the classic period of Italian cinema in a little film seemed like a great, fun thing to do. I had relations to that period. I had known Fellini and I had known Antonioni. I had made a movie with Antonioni and I had visited Fellini in his studios. So, it seemed like something worthwhile doing. You bring yourself to that mythical cinema.
You don't have to be Picasso or Rembrandt to create something. The fun of it, the joy of creating, is way high above anything else to do with the art form.
Everything is always coming from something else. Even if you create something, it has to be inspired by something else. If you think of Apple and Steve Jobs, he had to be inspired by something that launched the ideas in his head.
The characteristic of the first sort of religion is imitation. It insists on imitation: imitate Buddha, imitate Christ, imitate Mahavir, but imitate. Imitate somebody. Don`t be yourself, be somebody else. And if you are very stubborn you can force yourself to be somebody else. You will never be somebody else. Deep down you cannot be. You will remain yourself, but you can force so much that you almost start looking like somebody else.
Punk may have helped me find my voice and made me realise that I had the right to have one, but it was riot grrrl that helped me sustain that voice and shout a little louder.
When I was a young player, I never dreamed of scoring five goals in a game - and in nine minutes is something else. And when it happened, it was incredible that there could ever be anything like that in the history of the game. It took me a couple of days to realise what I'd done.
With Fellini, the fear dropped out of my work because it was such a happy experience... hanging out with Fellini, having pasta on the set with Fellini, and going out with Fellini!
He could've had Jesus, Buddha, he could have had every God in his corner, it wouldn't have helped him against me.
I am not afraid of beauty, unlike most artists today. The pollen, the milk, the beeswax, they have a beauty that is incredible, that is beyond the imagination, something which you cannot believe is a reality-and it is the most real. I could not make it myself, I could not create it myself, but I can participate in it. Trying to create it yourself is only a tragedy, participating in it is a big chance.
I had long since insisted upon interpreting the things that Fate forced me to do as victories of my own will and intelligence, and now this bad habit had grown into a sort of frenzied arrogance. In the nature of what I was calling my intelligence there was a touch of something illegitimate, a touch of the sham pretender who has been placed on the throne by some freak chance. This dolt of a usurper could not foresee the revenge that would inevitably be wreaked upon his stupid despotism.
When I was able to get home it first hit me that you had left and I couldn't do anything about it. Every day before that an evening with you was waiting for me after school, now no more, strange feeling. I had grown too accustomed to your warmth. That is also a danger. At home I looked at the notebooks that you had bought and I got the stupidest surge of hope that I'd find something of you, something especially for meant for me. I would so much like to have something of you that I could always keep by me, that nobody else would notice.
Fashion is made up of paradoxes. There was a key moment in fashion. When the Japanese first arrived - Comme des Garçons, Yohji Yamamoto, and all - I have to humbly admit that I didn't understand the importance of it at all. It was Jean-Jacques Picart who explained it to me. They had a huge influence in that they showed that aestheticism could be different from prettiness, that there was beauty and that beauty was beyond pretty.
Anything that could give rise to smarter-than-human intelligence - in the form of Artificial Intelligence, brain-computer interfaces, or neuroscience-based human intelligence enhancement - wins hands down beyond contest as doing the most to change the world. Nothing else is even in the same league.
My mother helped me to be who I am: to have strength and not to let people run all over me and yet to be humble; to realise that all of this that I have today could be gone.
I'm in the saddle every day playing a screwball. And then somebody comes along and says, "How would you like to go to Italy and Spain and do an Italian/Spanish/German co-production with an Italian director who's only directed one movie?" It wasn't like I was going there to be with Federico Fellini. But something was there, and I thought, Well, I loved this story when it was told by Akira Kurosawa; maybe this is a good idea. That's an instinctive moment. A Fistful of Dollars was made.
The key to winning, as always, was looking as if you had every right, nay, duty to be where you were. It helped if you could also suggest in every line of your body that no one else had any rights to be doing anything, anywhere, whatsoever.
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