A Quote by Takashi Miike
More than my films being influenced by manga I was indelibly impressed by Manga, and that definitely comes out in the films.
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Manga is virtual. Manga is sentiment. Manga is resistance. Manga is bizarre. Manga is pathos. Manga is destruction. Manga is arrogance. Manga is love. Manga is kitsch. Manga is sense of wonder. Manga is … there is no conclusion yet.
In Japan there is a lot of manga, but around manga there are video games, manga on cellphones, manga in card games... so people not only enjoy manga but also the products around it.
My generation was a special generation. I was born in 1960 and in my childhood we were all big manga consumers that was the culture. We were brought up in manga. Manga evolved around what was being made to cater to kids. All children at that time read ridiculously thick manga books every week.
I think that nationality has no relation to that which gives rise to manga. Even among the Japanese, manga creators are making their creations everyday reflecting their own individuality, with none being the same. What is important isn't the differences between the creators but their love for manga.
The thing is that I don't normally think in terms of manga when I'm writing. Sounds odd from someone who has is getting a reputation for doing manga related work. But I would say that my scripts are NOT manga at the stage of my writing process, they are just comic book stories in a more general sense.
As a child, because manga was always around and I was reading it, I naturally thought, 'Hey, I'd like to draw manga - I'd like to be a manga author!'
As a child, because manga was always around and I was reading it, I naturally thought, "Hey, I'd like to draw manga - I'd like to be a manga author!"
Contemporary art and manga - what is the same about them? Nothing, right? The manga industry has a lot of talented people, but contemporary art works on more of a solitary model. No one embarks on collaboration in contemporary art in order to make money. But in the manga world, everyone is invested in collaboration. The most important point is that the manga industry constantly encourages new creations and creators.
Before and after my debut, I've helped out other manga artists from time to time, but I have no experience of being exclusively an assistant. Nor have I done individual or self-published manga.
I can't single out one thing that influenced me. My generation was influenced greatly by the manga that came out during our childhood.
I've been a fan of Yoshida Akimi's manga for a long time; she's one of a few women's manga writers that I always read.
Manga is a very entertaining cultural form, made of many totally different genres. Don’t restrict yourself with a single style of manga. I would be delighted to be your springboard, but try to read as much as you can in order to branch out!
I've been immersed in manga since I was a kid. I grew up with this culture. So I started to think about how to compare manga to contemporary art.
The way I formed my studio and how I organize things actually came out of the model of the Japanese animation studio and the manga industry. The manga industry is gigantic in Japan.
One of the more problematic aspects of the current state of cinema in Japan is that the movies playing in the theaters are by and large made not by film studios but by broadcasting companies. They're either extensions of popular television dramas or adaptations of manga or anime. Younger Japanese are simply not being exposed to good films. That situation needs to change.
I'm part of the first generation who grew up with manga [comics] and anime [animation], you know, after 'Godzilla.' I was absorbed with Ultraman on TV and in manga. The profession of game designer was created really recently. If it didn't exist, I'd probably be making anime.
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