A Quote by Takashi Miike
I felt that all of us working on our remake of '13 Assassins' had to honour the original director, Eiichi Kudo, and everyone else who created the original.
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I was well aware of that when I heard they were remaking 'Total Recall.' My first reaction was: 'Ewww, really okay?' And the director said you should really look at it, the script is good. I had already done a remake. I had just finished 'Fright Night.' When I heard about that being remade, I had a whole ego thing... remake?. 'That is so uncool! I loved the original, I can't possibly do that.
On a flight, I saw the 'Chashme Buddoor' remake. It did nothing to me. It had no impact. Watching the remake, I missed the original team even more.
I think the Chainsaw remake is very good and captures the spirit of the original film. It's true to the tone of the original, to the point that it's almost a companion piece.
I think the Chainsaw remake is very good and captures the spirit of the original film. It's true to the tone of the original, to the point that it's almost a companion piece
I'm a huge fan of director's cuts or reassemblies if they're good, but I remember being really excited about the restored version of Apocalypse Now, and then I preferred the original film. Kingdom of Heaven as a director's cut is the real picture, but in fact someone recently told me that there was another cut, the original first cut, which he said was just extraordinary. I've never seen it - and of course now I want to, if it exists, and so would everybody else.
Nature, and the original system that created us, must always remain somehow with us, the bedrock of our movements and actions. What is our duty? To live a life.
It's always been important to us to be original, which sounds really easy when you say it. Everyone says it all the time, but it's actually not that easy to be original. It's also something scary because if you're doing stuff that doesn't sound like anything else, I think a lot of people get scared of that. A lot of people tend to follow instead, they wait for something else to do something new and then they follow that. We just don't like to do that.
The only reason I would write a sequel is if I were struck by an idea that I felt to be equal to the original. Too many sequels diminish the original.
Original sin is in us like our beard. We are shaved today and look clean; tomorrow our beard has grown again, nor does it cease growing while we remain on earth. In like manner original sin cannot be extirpated from us; it springs up in us as long as we live.
The concept of God as a loving, all-powerful person, who created us, who has a plan for us, who issues commandments, and who is ready to receive us into Heaven, is a substantial concept, rich in meaning and significance for human life. But if we take away all this, and leave only the idea of an original cause, it is questionable whether the same word should even be used. By keeping the original word, we delude ourselves into thinking that we are talking about the same thing.
I was one of the original drummers. What everyone likes to do is think of Lynyrd Skynyrd as the band that picked up again in '73. But I was one of the original members, and I was a big part of that.
We now live in a world both in film and television where everything is based on something. You point out, "Star Wars" was an original screenplay, "Raiders of the Lost Ark," an original screenplay, "Ghostbusters" an original screenplay, "Back to the Future." All these things that people love were original ideas many years ago.
People don't understand this: Ideas are important, but they're not essential. What's essential and important is the execution of the idea. Everyone has had the experience of seeing a movie and saying, "Hey! That was my idea!" Well, it doesn't mean anything that you had that idea. There's no such thing as an original concept. What's original is the way you re-use ancient concepts.
Religion may have been the original cure; Freud reminds us that it was also the original disease.
I felt that The Who had ended because we'd lost touch with our original Shepherd's Bush audience.
No, it's interesting to remake a film for the contemporary audience today. I think it's a good idea; it needs to respect the original idea. Don't just take the title and change everything else.
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