A Quote by Takashi Miike

Audiences are an unknown mystery to me, so I can't really predict anything. For me, the best audience is myself, my crew, and the actors. — © Takashi Miike
Audiences are an unknown mystery to me, so I can't really predict anything. For me, the best audience is myself, my crew, and the actors.
I enjoyed the crew. The best part about 'The X-Files' has been the crew. This crew is an exceptional family and to go to work with a bunch of people that you really like is great. They're all the best of the best and they really try to do the best job they can. I'll miss that.
I enjoyed the crew. The best part about 'The X-Files' has been the crew. This crew is an exceptional family and to go to work with a bunch of people that you really like is great. They're all the best of the best and they really try to do the best job they can. I'll miss that
Through years and years of playing to various audiences, what I've learned is - and I think quite a few actors will agree with me - we're not always the best judge of that audience's reactions or not. And we discover, to our amazement, at the end of the show, they bring the house down with applause, and we thought, 'No way tonight,' you know.
In the past, I didn't speak up about the issues concerning the film crew. I was busy memorizing my lines and trying to maintain the continuity. But I've come to realize that it's really important for us, as actors, to encourage the crew and create the perfect atmosphere so that they can bring out the best in themselves.
Comedy is a serious business. It's frustrating when I can't find the right thing that makes the crew laugh. If I don't make them laugh, I get very disappointed in myself. You don't really have a live audience, so you just depend on the crew to let you know if you're doing something funny.
Movie-making is serious business. The director and the crew are already under a lot of pressure to give their best to the audience. Therefore, the best part for me as an actor is to act well in the movies and make a jolly atmosphere with the co-stars on the sets.
I think my weight-training proved to me more than anything that I can do anything in life if I really put my mind to it. I saw me bring myself from 137 pounds to 175 pounds over a seven-year period. That alone said to me that all you have to do is really stick with something, and you can accomplish anything you want. It's brought me great self-esteem because I know I did it. I changed me.
I don't do anything by myself. I have a whole crew to get me ready every day.
I love the rehearsal, as long as it's not over-rehearsed. I love it when the actors can rehearse until we feel really comfortable, and then the crew come in and shoot it. I'm not especially a big fan of rehearsing with the crew and the crew rehearsing and, "Let's rehearse this tracking dolly shot 25 times until it's just right." Television has to be shot a certain way to have a certain look. And sometimes the tried-and-true method is the best.
For me to go back and to play for audiences some of whom have been following me for thirty years and some who have found me in the last five or six years, that's really an interesting thing. I have an audience that goes from kids to seventy year olds.
I gravitate towards anything that feels challenging to me, that feels like it's gonna be saying something a bit different and new to the audience, and anything that moves me. I do movies that I would want to see, so I don't necessarily gravitate towards any genre in particular. I just try and do the best work I can and also try to keep the audience guessing.
One thing I think is really important is chemistry, and if actors have chemistry, audiences will pick up on that. Audiences will root for characters that don't even exist as a couple because the actors' chemistry is so strong.
Audiences of critical thinkers are my favorite kinds of audiences. There are jokes I tell in the show that don't get laughs unless I am in front of an audience of critical thinkers. Put me in front of a crowd of science teachers or astronauts! The guileless aren't our audience - it's the critical thinkers we love.
I belong to you. You could do anything you wanted with me and I would let you. You could ask anything of me and I'd break myself trying to make you happy. My heart tells me this is the best and greatest feeling I have ever had.
It is at programmes organised on the sidelines of temple festivals that you get to see raw audiences who will let you know immediately whether the act has clicked or not. It was those audiences who taught me how to strike a rapport with the audience.
Working crew made me realise that the actors are a very small part of a very big machine, with each part being vital to make the show work. It so important to remember that it's not about you, it's about the show, and working crew hammered that point home to me.
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