A Quote by Takashi Miike

The directors whose films scare me the most, are the ones who carefully hide the aggression in the background, and don't show it directly. — © Takashi Miike
The directors whose films scare me the most, are the ones who carefully hide the aggression in the background, and don't show it directly.
Three directors whose work directly influences mine are Paul Thomas Anderson, Darren Aronofsky and Susanne Bier (her Danish films). You'll notice that they all don't make feel good movies, same as me, and their films are always visually simple but beautiful (and I hope mine are!).
Most Chinese filmmakers grew up watching television; they watched films on television, not in cinemas. The scope of their vision is not big enough, they're not yet detail-oriented enough. You have to watch films in cinemas for years to understand the depth and scope of vision needed in filmmaking. Directors in China usually come from an academic background; they graduate as film directors. Whereas the directors from Hong Kong learn their trade on sets, beginning at the lowest rung.
Most horror films fail to scare me.
Like most filmmakers and writers, there are roots in my own life, but they are stories that I invent. There was a period of time in my life when I made directly autobiographical films where I truly told what happened to me. But, now, I don't make directly autobiographical films anymore. I am more for renouncing that and being in front of history. The large part of my work tells about something I know. It's close.
I think that what 'Oz' did is it spawned a great generation of television production. But people know its place in television and just in great dramas. It's the foundation of my career. Most producers, show runners, directors, and casting directors put me in movies based on my performance in that show.
It's not that writing staffs don't change at all, but they don't change very much. Directors are freelancers. There are directors who do five or 10 episodes of a show every year for years, but most directors are freelance, they come and go.
Controlled aggression, to me, is one of the most important traits to have. To have that social intelligence to know when to exert aggression in the military environment, and when to stay calm, cool, and collected.
The greatest thing about having done 'Orange' are the doors that have opened for me, and people have been able to see me, like the executives and the casting directors - also, all of the fantastic directors and writers for independent films.
Show me the prison, Show me the jail, Show me the prisoner whose life has gone stale. And I'll show you a young man with so many reasons why And there, but for fortune, go you or I.
A map in the hands of a pilot is a testimony of a man's faith in other men; it is a symbol of confidence and trust. It is not like a printed page that bears mere words, ambiguous and artful, and whose most believing reader - even whose author, perhaps - must allow in his mind a recess for doubt. A map says to you, 'Read me carefully, follow me closely, doubt me not.' It says, 'I am the earth in the palm of your hand. Without me, you are alone and lost.
Most of the directors that I show my movies before the final cut, are directors that I admire, and who do movies that are very different from mine.
For sure I think the traditional martial arts is a good background to have and definitely allows me to do a lot different things inside the cage. My wrestling background definitely helps me out a lot, but I don't think either one led directly to MMA.
I'm very thankful to directors and filmmakers who consider me in their films, and I hope I'm able to do justice to their films.
I'm happy that my films were discovered by chance by foreign film festivals. That makes me realise more that there is a world outside Japan too. For me, it's an occasion to meet many people and to experience directly the response of international audiences to my films. But for me as a director, my attitude towards making films hasn't changed with the fame. I feel it's not good to change as a person anyway
It's very difficult to break into motion pictures, but it's oddly easier for directors today because of independent films and cable, who have inherited for the most part those films of substance that the studios are reluctant to finance.
I can hide, and my husband's just terrible at finding me. I do like to jump out from behind doors and scare him.
This site uses cookies to ensure you get the best experience. More info...
Got it!