A Quote by Takashi Miike
I feel that the smallness of the filmmaking environment is somehow connected to the freedom of creating film.
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Making music has been connected to one of my greatest heartaches, because my own music has never quite connected with audiences. But it was this heartache that pushed me to explore other artistic avenues, like writing and filmmaking, and I ultimately feel most at home in a multidisciplinary environment.
That's the power of film. If it's good, it can somehow make you feel connected to even the farthest thing from your own experience.
When I'm doing interiors - especially the ones where you really have full creative freedom - it's about creating an environment for people to feel so comfortable and at ease. I want them to become inspired to live and feel better.
I find so much freedom in singing and so much expression of my self. I feel so connected to the people in the audience, and I feel spiritually connected when I'm doing it.
I found out that total creativity involves a certain intellectual rebellion - not to become a criminal, but somehow. to be totally creating, you have to do things that are a little bit forbidden. You have to feel free, and we know freedom is a hard thing to get.
What I realized is that it doesn't matter how big or small your film is. The actual filmmaking process, the actual storytelling, it's still the same thing. It's still all about creating characters that you like and creating moments that get you excited or get you tense.
I often find myself feeling that filming music is somehow the purest form of filmmaking. This crazed collision of sound and images, the intense collaboration, these incredibly cinematic performances. And for the nights you're filming, a non-player like me gets to feel somehow part of the band.
Narrative, fiction filmmaking is the culmination of several art forms: theater, art history, architecture. Whereas doc filmmaking is more pure cinema, like cinema verité is film in its purest form. You're taking random images and creating meaning out of random images, telling a story, getting meaning, capturing something that's real, that's really happening, and render this celluloid sculpture of this real thing. That's what really separates the power of doc filmmaking from fiction.
Filmmaking is really connected to life and all of the expressions that different arts found to allow access to life. Filmmaking touches on all of it.
I think 'Befikre' has got a polarised response. Some people absolutely loved it and some didn't feel connected with the film. I feel the film is a little bit ahead of its time.
We with Komplizen Film believe very much in the writer-director and in the freedom of a filmmaker. I think it's always good to be involved where you spend the money. Filmmaking, you see in the picture what the money's spent for. I never had to leave a phase of filmmaking before being really happy, and that was really a big luxury. That could happen, I think, because I am my own producer.
I think every film is somehow a political film. You show a perspective and a world that has logic, and that logic is inserted into a political environment, and it means something. Yes, why not?
Film is the most liberal of arts and, at the same time, it can be a very conservative art. Money that is involved in filmmaking is distributed mostly to men, thus creating a celluloid ceiling for women.
There are five freedoms:
The freedom to see and hear what is;
The freedom to say what you feel and think;
The freedom to feel what you actually feel;
The freedom to ask for what you want;
The freedom to take risks on your own behalf.
Our film [Hide and seek ]was created as part of the Asian American Film Lab's 11th 72 Hour Film Shootout filmmaking competition, where filmmaking teams have just 72 hours to conceive, write, shoot, edit and submit a film based on a common theme. The winners were announced during the 38th Asian American International Film Festival in New York last July. The theme for 2015 was 'Two Faces' and was part of a larger more general theme of 'Beauty'.
I feel far more connected to the whole band if I can somehow physically respond... with my body.
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