A Quote by Takashi Miike

One Missed Call,' it was regarded as a mainstream film for my career because it was big budget and filmed in Japan and it really opened wide in Japan, it did really well commercially. So I was really surprised.
I really love Japan, and I liked living there very much, and there are so many terrific things about Japan. However, I do think what's amazing is that Japan really prides itself on being monoracial. It doesn't have the same kind of idea as in the U.K. or Canada or the United States, in which the idea of diversity is a strength.
I really still enjoy Japan. I love going to New Japan. It's great.
I remember my very first encounter with Japan. At that time, I was Deputy Mayor of St Petersburg. Out of nowhere, Japan's Consul General in St Petersburg came to my office and said Japan's Ministry of Foreign Affairs wanted to invite me to Japan. I was very surprised because I had nothing to do with Japan except being a judoka. This was an opportunity to visit Tokyo and a couple of other cities. And, you know, a capital is a capital everywhere: there is the official script and certain protocol. It is always easier to talk in the provinces, the conversation is more natural.
I knew I wanted to shoot in Japan early on. Years ago, we did a Japan segment in "The Community Project," and at the time I felt it was one of the better Japan segments ever captured.
We discussed the history of postwar Japan and how Japan had missed an opportunity to build a more functional democracy because of the focus on fighting communism driven in large part by the American occupation.
When I lived in Japan, I only noticed the bad aspects of the country. I didn't really like Japan then, but when I moved overseas, I was able to appreciate the good side more.
I don't really have a career as a jazz musician. I don't really have a career as a classical musician. I don't really have a career as a college professor, and yet I did all those things and I did them well. I put out some records in the 1980's and 1990's that changed the way some trumpet players played.
Even though Japan and Germany were not formal allies at the time that Japan conquered Shanghai in 1937, still, Frenchtown was an area that Japan could take complete control of - and they did. And it was the locus of nightlife.
It would be really nice to have a venue stop in Japan someday. Japan would be perfect for it.
I think Japans work really hard, and when they have a chance to listen to music, they just go crazy. And the Ramones would be a natural fit for Japan, because Japan invented the cartoon, and the Ramones, especially in Rock 'N' Roll High School, are very cartoonish. So it'd be a perfect group for them.
I don't really do Japanese interviews. I don't think there's much call for me in Japan.
I've always said that growing up in postwar Japan, I never felt any connection to my work through those experiences. The work I do really comes from inside myself. For me, being born in Japan was an accident.
I've always said that, growing up in postwar Japan, I never felt any connection to my work through those experiences. The work I do really comes from inside myself. For me, being born in Japan was an accident.
Japan became an imperialist country in many ways, but that was much later, after it had already made big progress. I don?t think Japan?s wealth was based on exploiting China. Japan?s wealth was based on its expansion in international trade.
I speak of the old Japan, because out of the ashes of the old Japan there has risen a new Japan.
It was there that we really first came in contact with the work of Shoji Hamada, who was Bernard's best friend from Japan, who had come from Japan back to England with [Bernard] Leach when Leach was establishing his pottery.
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