A Quote by Tali Lennox
I'm in a really nice position because I can be selective with the modeling jobs that I do and just work with brands I'm passionate about. The two worlds balance out nicely for me because modeling is so social - it has travel, you meet people, it's extroverted. Whereas painting is very solitary - when I paint, I'm kind of in my own world.
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I like doing the editorial stuff because it's nice to do something that's more me. But modeling for brands and the things to make money... I guess I don't really like being the mannequin. It's a very strange concept.
Maybe there's some kind of modeling that can be tedious, like catalogue modeling, but there's a kind of modeling, with runways or working with Richard Avedon, that's not very far from acting. Besides the fact that you don't have a partner to react to, the body language is the same.
What modeling taught me at a young age was how to say "no," which is something girls - we're not always good at saying "no." We want to be nice, and then we forget to look out for ourselves. There have been moments when I was on a modeling job, and it was the most fantastic thing in the world. And there have been moments where I've realized, "Okay, I'm ten years old, and I've spent the past six hours outside in the rain." It taught me how to be specific about what kinds of projects I wanted to do, and what kind of work I wanted to do.
I think something that's so amazing, and why I really wanted to get into modeling, was to be able to travel, to be able to see the world and live in this glamorous world and meet all these different people.
Cinema is the most challenging art form that you as an artist can create. It's easier to paint a painting because you're very alone. You just have the canvas in front of you and then you do stuff. I'm not saying it's easy to paint, but it's a solitary thing. Whereas movies combine so many different things from pre-production to production, sound design, production designing, leading, organizing, while still being creative.
With modeling, social media is such a humungous part of it now. You get jobs because of the amount of followers you have.
Some people start modeling because they want to be models and they want the parties and the recognition, and then there are people like me. I come from a simple family, and for me getting into modeling was a chance to make money and create a business.
I was embarrassed about modeling. When you're at school and you're modeling, it sounds very glamorous, but I didn't want to do things that no one else was doing. I didn't want to be the odd one out. I wanted to be part of the gang.
I know that I've been blessed in many ways, and I was fortunate enough to travel the world and meet a lot of interesting people. But I never felt that the modeling career was all that important.
I really love acting. I really do. I really just think of myself like a working woman. And I just go from set to set and work. You have to promote a movie; you have to work. People are going to have opinions and it's weirdly very easy to kind of block out the world because you have your own.
It was around the age of 18 when I started to feel like I had learned everything I could learn from being a model - modeling is a really incredible form of expression, but I got into modeling because I loved fashion so much and I really loved photography.
I went to the Professional Children's School in New York, and I started modeling because I could do that until I actually figured out what I wanted to do, and it gave me the opportunity to travel.
After I grew some facial hair, I looked a bit older, and I guess that's what the modeling world wanted because I started booking more luxury brands.
I do work really hard to be nice to people. Well, actually, I think it doesn't take much effort to be nice to people, so why shouldn't we all be nice to each other? But I do appreciate very much a woman who is in a position of power who is unapologetic about her position and her belief in her own abilities.
I was studying tourism at college and wanted to travel the world as a tour guide - that was my dream! But actually, sometimes modeling feels quite similar, because I travel so much - probably even more than tour guiding.
Each painting seems to have a very specific size it wants to be. I have even started a painting or two over just because I didn't like the feeling of the particular image at a particular size. The Parlor needed to be large because I wanted it to feel like a full-size room you could step into. Unfortunately for me, I paint the same way on an eight-foot canvas as I do on a five-inch miniature. I still use very tiny brushes and noodle every square inch. It took me nearly a year to paint The Parlor.
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