A Quote by Talib Kweli
I think once you're in the public eye, whether you're a boss, a teacher or whatever you do, that you're automatically in the position of role model. You have people looking up to you, so whether you choose to accept it or not is a different question.
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I've learned that success comes in a very prickly package. Whether you choose to accept it or not is up to you. It's what you choose to do with it, the people you choose to surround yourself with. Always choose people that are better than you. Always choose people that challenge you and are smarter than you. Always be the student. Once you find yourself to be the teacher, you've lost it.
Once you become a professional athlete or once you do anything well, then you're automatically a role model ... I have no problem being a role model. I love it. I have kids looking up to me and hopefully I inspire these kids to do good things.
I think that when you’re in the public eye, you automatically become a role model, because people are reading about you and looking at pictures of stuff you’ve done. But, you know, no one’s perfect, everyone makes mistakes. I have made mistakes and I will make mistakes. I’m only human.
I don't know if I ever really think about being a role model. But I guess if you're in the public eye and people are looking at what you do, you do want to be a good role model, and you want to kind of be seen in a good light.
Ask everyone whether they're an actor or a doctor or a teacher or whatever is entitled to his or her opinion. But unfortunately, because actors are in the public eye, whether we want it or not, sometimes our opinions carry more weight or influence than they deserve.
I think you have to embrace being a role model because you are in the public eye, and whether you like it or not, people are going to be affected by you positively or negatively, ... Public-wise, I really wouldnt do anything that would be detrimental to anybody else or to myself. And to a certain extent, I try to watch out and try not to do anything that would be bad for kids to see.
I have a profound empathy for people who are in the public eye, whether they manifest it themselves or whether it happened by accident - it doesn't matter to me. I think there's a great misunderstanding of what it is to be famous.
The first question that I ask : do I have public support or not. That is the first question that I asked as President. If I don't have the public support, whether there's the so-called "Arab spring" - it's not spring, anyway - but whether we have this or we don't, if you don't have public support, you have to quit, you have to leave. If you have public support, in any circumstances you have to stay. That's your mission, you have to help the people, you have to serve the people.
To be a role model is not something you choose, it is chosen for you and once it is you must accept the responsibility bestowed upon you
The alternative position to whether torture is acceptable - that's not an alternative position, that's barbarism. The question here is not whether torture is acceptable or whether it works. It should be simply seen as a war crime. There's no other position on torture.
When movies tend to start to preach to me, I tend to shut them off, whether I agree with the message or not. I don't think the job of art is to preach, I think it's to ask questions and make people aware of differences and different ways of looking at things. That's what I want to do, anyway. Whether I'm successful or not, that's up to history.
I'm a product of the different - whether it be institutional racialism, whether it might be growing up in a low-income area, whether it might be, you know, coming from my mother, my father. I'm a totally different person from my mother and father, but once again I'm from them. We all have our different souls, but I'm from them.
When you're in the public eye - whether it be entertainment, sports, medicine, politics, whatever way - you have an opportunity, and I think also an obligation and a responsibility, to disseminate good information.
I think that there is a purity aesthetic, like "I just make art because I'm an artist and I can't help it. I don't care what the critics say." But different mediums have a different relationship with the public. If you're in a performing medium it's hard not to place some weight on whether or not people come to your shows, or whether or not they're enjoying them.
For me, it was never a question of whether or not I was transgender. It was a question of what I'd be able to handle transitioning and having to do it in the public eye. One of the issues that was hard for me to overcome was the fear of that.
I'm a guy that is willing to do whatever it is for the team, whether it is a kick returner, whether it be a punt returner, whether it be running down on kickoffs, whether it's line up in the slot, whether it's run a dummy play, fake play.
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