A Quote by Tamra Davis

It felt amazing to be one of a handful working female directors in Hollywood. — © Tamra Davis
It felt amazing to be one of a handful working female directors in Hollywood.
I've worked with a couple of female directors now, and I think that they're amazing. As good or better than guy directors.
Yeah, I've worked with a couple of female directors, now, and I think that they're amazing. As good or better than guy directors.
When I was in college, my graduation thesis was called 'Female Directors.' I interviewed all of the important female directors from Mexico. There were four. That was it.
I don't really consider myself a female director, and I don't want to do so for other women. Female directors are just directors.
There are a lot of female directors in Lebanon but we can't really talk about a true film industry, it's still very small. But we do have a few female directors.
There are really only a handful of directors who have a final cut clause in Hollywood. You only get that power if you've made a couple of hundred-million-dollar successes.
Female directors really do need to support each other. Too many times I've been led to believe that my direct competition was other women, as if there can be only a handful of successful female filmmakers a year. That conversation, that perception, needs to change. Women are the people who have helped me make films I love, and I want to be that kind of strength to other women.
I think the press is doing a wonderful job of putting the pressure on the decision-makers in Hollywood to support more female directors.
I think that there are a lot of male writers and directors in Hollywood, and a lot of the female characters you do see are really one-dimensional, but I think that's changing more and more as there are more women taking control in Hollywood.
There are many amazing female directors that made work in more skewed times, so we should be thankful for the boundaries they pushed through.
In the not-for-profit world, I never felt that being female was an impediment. I was, however, given my break into commercial theatre by a female producer, Judy Craymer, and women - in particular, Donna Langley, president of production at Universal - were crucial in giving 'Mamma Mia' a home in Hollywood.
I don't think I have advice for female directors as opposed to male directors. I think all first-time directors should try and be as prepared as they possibly can, because it's hard!
I don't want to get locked into any one type of genre. I just want to constantly be working with amazing directors and amazing actors, and just always pushing the envelope on what I can do, as an actor.
I'm not saying I only want to work with female directors. But I want to continue to work with emerging female directors.
I'm just hoping that as I get older, and as more and more movies get made by female directors, what we start to see is how, in the same way good male directors get a shot at creating interesting male and female characters, women do as well.
A 90-minute time frame is not long enough to tell a good female story, and that's why long-format television has become so great for female storytelling and for female performers and directors and writers.
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