A Quote by Tamra Davis
My connection with Basquiat was really in Los Angeles, which really was a whole different world to what he was experiencing in New York.
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I had a really negative look at the night-life side of Hollywood, which I really didn't like. I went to New York to focus on modeling, and then of course found that New York was not any different from Los Angeles.
When its 100 degrees in New York, it's 72 in Los Angeles. When its 30 degrees in New York, in Los Angeles it's still 72. However, there are 6 million interesting people in New York, and only 72 in Los Angeles.
What I really have a sense of dismay about is that there is a center of anything. I think maybe Cleveland can use one. Also possibly Los Angeles needs informed cultural guidance and a place to go get it. But not New York. New York is a center, a world's fair, and a den of thieves, and a house of miracles.
In certain parts of the world - where I'm at right now in New York, you're going to pay a whole lot more. In Los Angeles, your average starter home is a million dollars. So I need more money in Los Angeles to live like a normal person. If I live in another city, Iowa maybe, I wouldn't need as much.
You can get stuff done in New York that you can't in Los Angeles. If you wanted to get some milk and get your shoes repaired and drop something off at the dry cleaner, that's an all-day adventure in Los Angeles. In New York, you can bang that out in half an hour.
I think... I love Los Angeles. I live in New York, and I love New York as well, but I think Los Angeles is a place where if you have the right person with you, there are all these little worlds that you would never guess by just looking at the exterior of what the city is.
New York and Los Angeles are really one city, and the rest of the country is America.
New York is fantastic, and I've done several films in Los Angeles which I really enjoyed, but I don't think that America is the be-all and end-all. I'll follow the good work wherever it may be.
When 'Real People' aired in 1979, we did OK in Los Angeles and New York. What kept that show from being canceled were the ratings from the middle of the country, and that's what kept us in the top five. I learned then from co-hosting that it was important to focus on the country between Los Angeles and New York.
Los Angeles doesn't have as vital a theatre as New York does. And that's something that really interests me.
In 1983, I was working at an art gallery in Los Angeles and going to film school at Los Angeles City College. At that time, Jean-Michel Basquiat was a young painter and was visiting L.A. for his first show at the Larry Gagosian Gallery.
I don't live in Los Angeles. I work in Los Angeles, and even that - I audition in Los Angeles; I very rarely film in Los Angeles. I don't hang out with producers on my off-hours, so I don't even know what that world is like.
In June 2002, I had just finished 'Laurel Canyon' and decided to move back to Los Angeles after nearly a decade in New York. Post-9/11 New York felt different.
During my whole year as Miss America and afterward, I was calling agents, looking for advice and opportunities. When I was in New York or in Los Angeles doing different appearances, if I had time on my schedule, I tried to meet with executives.
I could never leave Las Vegas. I can't really afford New York or Los Angeles. I love this town. We don't have that much. We have the Runnin' Rebels and boxer Floyd Mayweather. When Mayweather fights, it's good for the whole city. It's like the Super Bowl out here.
I started out in New York, and New York has a way of countering a Southern accent, naturally; when I moved to Los Angeles for a job, and I just stayed, the dialect out here doesn't really counter, and my Southern started coming back.
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