A Quote by Tara Stiles
Tension can be useful, exciting, flirtatious, strength-building, or destructive. Put yourself in charge of how you direct it.
Related Quotes
I have sometimes wondered also whether in people like me who come to the boil fast (soupe au lait, the French call this trait, like a milk soup that boils over) the tantrum is not a built-in safety valve against madness or illness. ... The fierce tension in me, when it is properly channeled, creates the good tension for work. But when it becomes unbalanced I am destructive. How to isolate that good tension is my problem these days. Or, put in another way, how to turn the heat down fast enough so the soup won't boil over!
When an old man and a young man work together, it can make an ugly sight or a pretty one, depending on who's in charge. If the young man's in charge or won't let the old man take over, the young man's brute strength becomes destructive and inefficient, and the old man's intelligence, out of frustration, grows cruel and inefficient. Sometimes the old man forgets that he is old and tries to compete with the young man's strength, and then it's a sad sight. Or the young man forgets that he is young and argues with the old man about how to do the work, and that's a sad sight, too.
Non-violent direct action seeks to create such a crisis and establish such creative tension that a community that has constantly refused to negotiate is forced to confront the issue. It seeks so to dramatize the issue that it can no longer be ignored... I am not afraid of the word tension. I have earnestly worked and preached against violent tension, and there is a type of constructive tension that is necessary for growth.
We who in engage in nonviolent direct action are not the creators of tension. We merely bring to the surface the hidden tension that is already alive.
We who engage in nonviolent direct action are not the creators of tension. We merely bring to the surface the hidden tension that is already alive.
When you put yourself on the line in a race and expose yourself to the unknown, you learn things about yourself that are very exciting.
Put your energy into building what is creative, valuable and empowering. And you won't have to constantly fight against what is destructive and draining.
Direct your attention inward. Have a look inside yourself. What kind of thoughts is your mind producing? What do you feel? Direct your attention into the body. Is there any tension? Once you detect that there is a low level of unease, the background static, see in what way you are avoiding, resisting, or denying life-by denying the Now.
Your identity, self-esteem, and awareness of your ego lay the groundwork for your life. How you conduct yourself with others, and whether you have the strength to make your way without needing to ask for another's permission, depends on how well you succeed at the many challenges that awaken your need to take charge of who you are.
In desire, there must be some small amount of tension. And that tension comes with the unknown, the unpredictable. You can close yourself off at home and say, "Whew, at last I'm in a place where I don't have to worry," or you can keep yourself open to the mystery and elusiveness of your partner.
I feel that other people's suggestions are very dangerous. Yet, I can't say that they are always destructive or not useful. Perhaps, rather than having other people tell you how you should improve your work, they should just tell you how they understand your work, what they got out of it, so that you can figure out yourself if what you did was right or wrong.
You set yourself a nice problem when you're faced with: 'Is our show too exciting? How do we make it even more exciting?'
But, in addition, there is, all through the tragedy, a constant alternation of rises and falls in this tension or in the emotional pitch of the work, a regular sequence of more exciting and less exciting sections.
There's a lot of similarities, I think, between a thriller and a comedy because it's all about tension. It's about building tension and setups and payoffs and misdirections and surprising people and sort of pushing the boundary.
I think the only way you can really grow is if you push yourself and put yourself in uncomfortable positions and doing things that you're not used to; it's exciting.
I think every writer has got to direct. If you don't direct, you can't protect your work. The only way to ensure that it's going to be as close as possible to what you put down on paper - and what you see and hear in your head - is to do it yourself.
Related Authors
Ashley Graham Quotes
American
Model
Cara Delevingne Quotes
English
Model
Chrissy Teigen Quotes
American
Model
Christy Turlington Quotes
American
Model
Coco Rocha Quotes
Canadian
Model
Emily Ratajkowski Quotes
British
Model
Gigi Hadid Quotes
American
Model
Gisele Bundchen Quotes
Brazilian
Model
Grace Jones Quotes
Jamaican
Model
Heidi Klum Quotes
German
Model
Irina Shayk Quotes
Russian
Model
Jerry Hall Quotes
American
Model
Kate Moss Quotes
English
Model
Miranda Kerr Quotes
Australian
Model
Nina Agdal Quotes
Danish
Model
Tyra Banks Quotes
American
Model