A Quote by Taylor Hackford

I try to get the best performance an actor can give. — © Taylor Hackford
I try to get the best performance an actor can give.
As an actor, you can go in, and you give your best performance, but if you hand that performance to ten different directors and ten different editors, you get ten different movies.
No actor can give his best performance without the help of the director.
A lot of directors want to storyboard you, whereas the best way to get a performance out of an actor is a collaborative process where you listen to the actor's input.
If I'm on the pitch, I want to just try to give my best performance every game.
I can imagine Dad joking about how hard it'd be to get an actor to give back when it's hard enough to ask them to give a good performance.
My job is to work hard and be honest with my character, and that's in my control. I can only try to give my best performance.
It's part of my responsibility, as an actor who has been lucky enough to have this job, to take my job very seriously, show up on time, know my lines, and give the best performance that I can because I'm doing something that so many other people work very hard to have and never get.
As an actor I can bring the story, the narrative in each performance. If I can't do that, then... might as well give up as an actor, hadn't I?
As an actor for hire, my job is to do some pre-production work for myself. Then my job is to show up and give the best performance I can.
What I try to do is give each actor an environment in which they can do their best work.
I have been doing this since I was nine years old. So whatever the role is, I am going to do the best I can do. The only thing I am concerned with is stepping on the stage in front of that camera and giving the best performance I know I can give, day in and day out as an actor.
For me, some of the happiest moments on a live-action film are the awkward moments. One actor says something to another actor. They didn't expect that performance from that actor; that affects their return performance.
I want an actor to try to give me what I ask in the best and most exact way possible. He mustn't try to find out more, because then there's the danger that he'll become his own director.
I try to take off the rose-colored glasses and view it in all facets, but I probably would be lying if I didn't say that probably the way in for a film with me is the performance. But I have been on juries where you have to give Best Screenplay, Best Cinematography. So you do have to put on several different hats and I try to broaden my scope. And what's great is, when you're in a room full of people who are not your milieu, so to speak, you find yourself speaking in a way that you do discover a slightly discerning eye.
Whatever I try to do, I always try to give it my best and try to be a killer because, at the end of the day, if you don't work hard, you are not going to get food on your table.
We try to get the best performance out of the artists. There is no point in saying to them, 'You're useless.'
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