A Quote by Taylor Hackford

An actor has to embody a role. — © Taylor Hackford
An actor has to embody a role.
When an actor gets a role, especially in series television where he really is the part, the audience never thinks of another actor playing that role. If they accept you in the role, then they can't separate the actor from the character.
You have to start with the notion that you pick the actor who's going to embody the role, the best person that you can find. If you don't start with that then it sort of defies the whole purpose of trying to make the best film that you can make.
I'm very blue collar myself. So it was easy for me to embody that in a sense. It's much harder for me to embody Norrell than it is to embody Terry Donovan.
[The Man] was a case where it was a funny role teamed up with another actor. It's a great teaming. And the role was a bigger role. It wasn't so much that it was a co-starring role. This is not a new direction. I'm not saying, 'No. I'm only now co-starring.' It just happens it's a co-starring role.
I have no problem having any actor from anywhere play a role. I'm excited for any actor that gets a job, I truly am. Even if it's a role that I'm up for and I don't get it, I never begrudge any actor having it work out for them.
I'm Irish and very proud of being Irish, but as an actor, your extraction should be secondary, really. You should be able to embody whatever character it is, wherever the character comes from. That's always been important, for me. I'm an actor who's Irish, not an Irish actor.
An actor rides in a bus or railroad train; he sees a movement and applies it to a new role. The whole garment in which the actor hides himself is made of small externals of observation fitted to his conception of a role.
The actor's job is to divine and embody the truth, and find it.
When I choose a role, I look for that spark that tells me it's going to work. Is the role fresh? What does it have for the actor in me? Those are the only things any actor should be concerned about, really.
It has happened with me that I get a role of a cop for a film. Few directors typecast you if you do that particular role well. But, it is the actor who has to decide whether he fits in that role or not.
In my journey, I got amazing characters to play which were as interesting as a lead role. In 'Commando,' my role was so good. I feel no actor have rejected that kind of a role.
Every director is always directing around the play. If you have an actor who really doesn't get the character well enough, you have to direct the play around that character. You have to make choices with that actor. If you have an actor that really doesn't get the role and has certain visions of the role, sometimes you have to direct around that actor.
Social media itself is not protest. To tweet is not to protest physically. To do a Facebook post, and though it's critical and crucial, is not to show up and embody the anger you feel, to embody the righteous outrage you feel, to embody the concern you feel. This is about putting feet to pavement and to register in the consciousness of America that this is something that's problematic.
In the final analysis, we count for something only because of the essential that we embody. If we do not embody that, life is wasted.
The role of the pastor is to embody the gospel. And of course to get it embodied, which you can only do with individuals, not in the abstract.
My role is to embody the Black Opium woman - I suppose you have to be the living embodiment of all the intangible things the brand stands for.
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