A Quote by Taylor Sheridan

I didn't know if I could make a good movie. But I knew I could make a respectful one. — © Taylor Sheridan
I didn't know if I could make a good movie. But I knew I could make a respectful one.
The funny thing about my films is that you can make little piles of them. You could make little piles of the movie that were family movies, you could make a little art movie pile, you could make a little action movie pile.
One of the most telling things about film school is you've got a lot of students wandering around saying, "Oh, I wish I could make a movie. I wish I could make a movie."
I don't know if I could have made it as an NBA player. But I knew I could make it as a coach.
If you're going to make a movie for ten thousand you can talk everybody into doing it for free. You could make a really good-looking movie right for ten grand, if you have an idea.
I knew I could make it in Cebu, but I never thought I could make it in Manila.
A great script might come my way, and I could be in the middle of music. So, it's a huge choice that I have to make - if I'm going to go do a movie or if I'm going to turn it down - because it could be an opportunity that could send my career through the roof, and you never know.
You have to think of a new way to completely surprise people who think they're hip. I always said you could make an NC-17 movie with no sex and no violence. Now I don't know what that could possibly be, but if you could think it up, you'd have a hit.
As soon as I started to realize that I could make a living playing professional soccer, I went to that place where I could torture myself because I knew it would make me better for the championship game.
I wanted to do another movie that could make us laugh and cry and feel good about the world. I wanted to do something else that could make us smile. This is a time when we need to smile more and Hollywood movies are supposed to do that for people in difficult times.
While I knew that individuals had in history - and still could - make a difference, it seemed presumptuous - even pompous - to imagine that I could be part of it, that I could be one of them.
You could go so wrong with a 'Planet of the Apes' reboot; you could make it melodramatic, you could make it campy, you could fall into so many traps with it.
You always believed that as good as you knew you were, there was always somebody who could take your place. I tried to work as hard as I could to make sure that didn't happen.
We can't make a giant sprawling movie. We're going to make a small movie. And what we got is what I could get, performance-wise.
If I can make a dance-based movie like 'ABCD', then I was sure I could make a superhero movie, too.
I don't know if it was a defining moment. I knew it as soon as I could comprehend the possibility of having a career. I knew very young I wanted to be a movie star. As much as I grew into love of the craft. As soon as I could speak I was auditioning and going to classes every day. It was my life.
Sometimes I feel like every movie I make could be the last. I know that's not really the case, but if I think about it that way and I'm very careful, then maybe I can build a career, movie by movie, that I'm happy with.
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