A Quote by Taylor Steele

With talent so stacked on a project like 'Proximity' and so many intense locations explored, it's almost impossible to showcase every highlight in the confines of one film.
There are so many beautiful locations in Rajasthan, so many beautiful locations in our India that have not been explored. Foreigners come and explore such places, but we fail to see those locations with that perspective.
As an artist, there's so many categories that you're put into, that there are so many things that I'm about that I've never explored as an artist on film. I don't see myself in so many characters in film.
Being in a career and going from highlight to highlight and playing a lot of matches you go through it and think it's normal when you play in front of 60,000 and you almost want to vomit in front of every game.
I try to just be open to what the next experience is and how it makes me feel, just reading a project, or trying to get involved with a project, or thinking about a project, and what particular emotional flavor that brings. To me, it's never really about planning the next thing, or the career arc. It's about investigating how I feel, from project to project, and finding things that I haven't explored and what that would be like.
I don't think one film is enough to showcase your talent or to show your abilities as an actor.
I put so much pressure on myself to raise the bar with each and every project. I treat it like every film is my last, and I make sure I pour everything I have into every film I make because if I'm not trying to improve, someone else will.
When you participate in a reality show, you can showcase your talent to so many people, and get noticed. It is a great platform.
I know my talent when it comes to acting. But will I get the opportunity to showcase? That fear seeps in when an actor's film fail back-to-back.
Architecture adds dimensions to my life that would be impossible to acquire if I retired. The beautiful thing about architecture is that every project is brand new. I am forced to renew myself with every project. Isn't that wonderful?
Every goal is a highlight film.
I don't take any project lightly. Every project is important for me. In fact, every scene in every film is important.
Shakespeare villains were extraordinary. Macbeth, Iago, Richard III... They're so richly layered that a British actor would find it almost impossible to create a two-dimensional villain, if he's explored in his early years or continues to explore his Shakespearean heritage. You can almost not judge them, if they're played really well.
If I could film, we'd film every episode of 'Doctor Who' in New York. I have an affinity with the city. It has some wonderful locations and it is devastatingly vast and huge. Central Park looks amazing on camera.
In an action film, you think of things that are almost impossible to do and yet you have to manage to show them as being possible on film.
In film, the possibilities are greater. You can go beyond the fourth wall. You can go to these incredible locations and you're put into circumstances that are physically sensuous. It sometimes requires much more of a physical talent.
The cinematography and the conditions in which 'Meru' was filmed drew me to the project. It's remarkable to think that everything in the film is real; these three men set out to attempt this impossible climb and to film it at the same time.
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