A Quote by Taylor Steele

I feel like surf films are something I go back to for some balance - to reset myself as a filmmaker. They're something I'll always gravitate towards. — © Taylor Steele
I feel like surf films are something I go back to for some balance - to reset myself as a filmmaker. They're something I'll always gravitate towards.
Remember with your heart. Go back, go back and go back. The skies of this world were always meant to have dragons. When they are not here, humans miss them. Some never think of them, of course. But some children, from the time they are small, they look up at the blue summer sky and watch for something that never comes. Because they know. Something that was supposed to be there faded and vanished. Something that we must bring back, you and I.
I need to surf - surf and yoga. Whenever I'm in L.A., I go down to San Diego to surf for the weekend, and I always come back perfect.
Some days I don't feel confident wearing, like a crop-top. So, when you're getting dressed for the day, gravitate towards items that you feel comfortable in. Don't feel pressured to follow some trend.
I'm not so fascinated by these ingenue roles. I tend to gravitate towards women in plays or shows or films that are more chaotic or have something dire going on.
There has to be a balance between power and vulnerability. That's something I feel I have in my own life, something I struggle with and - on a good day - like about myself.
I gravitate towards anything that feels challenging to me, that feels like it's gonna be saying something a bit different and new to the audience, and anything that moves me. I do movies that I would want to see, so I don't necessarily gravitate towards any genre in particular. I just try and do the best work I can and also try to keep the audience guessing.
Mean comedy is not really something that I personally gravitate towards or something that I do.
I won't go back to the theater. I like some of the things they're doing but it's different now, not something I could do. I'll go on making films the rest of my life.
Well, it's probably not something I'm conscious of, but I do gravitate towards characters that are kind of like me.
What I react against in other people's work, as a filmgoer, is when I see something in a movie that I feel is supposed to make me feel emotional, but I don't believe the filmmaker shares that emotion. They just think the audience will. And I think you can feel that separation. So any time I find myself writing something that I don't really respond to, but I'm telling myself, 'Oh yes, but the audience is going to like this,' then I know I'm on the wrong track and I just throw it out.
I'm trying to un-polish, like 'reset' myself. I'm trying to take myself back to when I first came in. That's what the fans miss and that's how they accepted me, so I kind of want to go back and give them that.
While it is increasingly possible for filmmakers to find an audience on their own (something that is particularly popular amongst documentary filmmakers) I'm still a believer in the "specialist". By this I mean, I back myself as a filmmaker, but I leave the marketing and distribution of my films to the experts.
If I see something that's morally ambiguous or ambiguously beautiful or has some pull in some way, I won't censor myself; I always run towards the light.
I find that I end up liking songs if I really have an idea of something I wat to write about-some problem in my life or something I want to work through; if I don't have something like that at the root of the song, then I think I end up not caring about it as much. I gravitate towards some kind of concept or idea or situation that I want to write about. Very often I have to write, rewrite and come at it from an opposite angle...and I end up writing the opposite song that I thought I was going to write.
I don't like to have to depend on someone else to reset the props. It's like, "No, you've gotta take responsibility for it." I know how things fit and feel. To reset that stuff myself, it's easy. The prop guys are hilarious because I'll have one set of gloves and I'll keep reusing them to get the most out of it. They're like, "We've got boxes of these."
Sometimes I'll go for something more because of the story, or more because of the director. But, generally, I have to feel like it's something that I have a real sympathy for - a person that I can completely go, "Oh, wow, oh, I'm there." Otherwise I don't feel like I will be able to pull it off at all. I know I haven't done everything very well in the past; some things have worked and some things haven't. But I need to feel like I can feel about the person, understand that person, I suppose.
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