A Quote by Taylor Steele

I get really excited when I see filmmakers make something that is subtle and feels real. It is really tough to do right. — © Taylor Steele
I get really excited when I see filmmakers make something that is subtle and feels real. It is really tough to do right.
I love the contrast of this side of [Dolores from the Westworlds] coming out, this tough fighter coming through this sort of Disney princess. There's something really powerful about that. But I was really excited to get some pants.
I overheard one of my friends say, 'If Amari scores, I bet he's real happy and he'll get real excited.' I just so happened to score, and since I heard him say that, I was like, 'Nah, I'm not going to get really excited.' And for some reason, that felt like the right thing to do. I been the same way since.
I just try to do things that make me excited. If I can find a way to surprise myself, then that's when I'm really excited to share something and really can stand behind it.
When you can inspire other people to do something they couldn't do before, that's a very satisfying feeling. Sometimes I meet people and they're over the top excited to tell me how much they love Razor. There is no shortage of synthesizers out there, every week there's a new synthesizer, especially plugins - there is a lot of competition - so if you make somebody really excited about synthesizer it really feels good, so it's a source of a lot of pride and satisfaction.
I really love a challenge, but in 'Downton' it was really hard going because there's no CGI - what you see is what you get. These were real explosions right in front of our faces, and you just had to make sure that you cleared out of the way.
Filmmakers are always in a bubble; along with our crew or writer, we don't really get to socialize with other filmmakers, so the great thing about Sundance is you can see many other filmmakers doing the same thing you do.
I like to be very consistent with workouts and getting a good amount of sleep. I've really been enjoying Pilates lately. It's actually really tough to fit in my schedule, but if I can get in a workout three times a week while we're shooting, that feels right. Any more seems to deplete my energy.
'Tough' meant it was an uncompromising image, something that came from your gut, out of instinct, raw, of the moment, something that couldn't be described in any other way. So it was tough. Tough to like, tough to see, tough to make, tough to understand. The tougher they were the more beautiful they became.
I can get into my own head [and] not have to really envision that girl. I am that girl and I know what I want something to feel like and move like. It's really inspiring, of course, to see so many girls wearing the line and I love their take on it, it almost feels like this religion or something at this point. It's really exciting.
There's a unique component of music that is different from, the written pamphlet or a speech. There's something, when you get the right combination of rhythm, melody and the right lyrical couplet, that feels like truth in the reptilian brain. There's something hardwired in our D.N.A.. And when you get a large group of people singing together in solidarity, it's something that, in my experience, and I've played countless demonstrations and protests through the years, it's something that can really help a struggle.
People are really excited right now to see women in new roles. When I was young, as a crazy football addict, it wasn't something I saw, and maybe that's why I thought it was never something I can do.
We wanted to show people what it was like in one of those neighbourhoods that they would never have access to, in bars that they would be too scared to go into, and a world that they would never get to see. All of that is something really unusual and rare and kind of fascinating. And the only way to do that and to make it really worthwhile was that it had to be authentic. We dedicated a lot of time and energy to making that right and real. So we found basically the worst locations that we could.
If something feels right, I do it. If it feels wrong, I don't. It's really very, very simple, but you've got to be willing to take your chances doing stuff that may look crazy to other people - or not doing something that looks right to others but just feels wrong to you.
Make the most of every moment. Get excited about every little thing. Why not? Why not have your wonderful moment of excited anticipation? Why not be happy NOW? This is my greatest challenge, but something I'm pouring my heart into: learning how to enjoy what I have, right here, right now. Every moment is precious and although sometimes I struggle to see it, I see it more and more every day.
I'm really excited, because the character, Jules, is a really awesome character. I'm really excited to be playing her, and overall, I'm really excited to be getting back to my acting roots.
The Edinburgh Fringe is a tough beast and you do whatever you can to get through it. But it's really the worst place to see comedians; everyone is so tense and nervous because it feels like Ofsted inspectors are out there.
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