A Quote by Terence McKenna
What the churches are peddling is high abstraction, and you really have to work yourself up into a lather to be able to accept that as worthy of that kind of attention. The psychedelic subset of society is into an experience, and it's accessible.
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The psychedelic experience is the beginning of the spiritual path. That's why it's not important that yogas' claim that they can deliver you the psychedelic experience, because it begins with the psychedelic experience, and then you go from there.
The sine qua non for obtaining a psychedelic experience is humbling yourself to the point where you admit that you must submit to the experience of the plant or the drug. This act of surrender is the major technical function you will be called upon to perform during the psychedelic trip.
I am surprised by the word psychedelic. João Gilberto Noll does not accept realism in a straightforward way, but I am more inclined to call Quiet Creature a realist text than I am to call it a psychedelic one. The transcendent aspect of the psychedelic experience is totally absent.
I'm very lucky to be able to work in print and radio. I'm very lucky to be able to work at a time when finance and economics are really important. And the number of people who tell finance and economic stories in a kind of accessible storytelling way, there's much more demand than there is supply.
We have the tools, the intellect, the will to create a caring global culture. It isn't going to come without a recognition of the power of the psychedelic experience. The psychedelic experience is the birth right of every human being on the planet. It is as much a basic part of each and every one of us as our sexuality, our national identity, our consciousness of self. And any society which attempts to hold back or impede this dimension of self-expression, when the history of that society is written, it will be called barbarous.
People experience all kinds of prejudice because of all different parts of themselves. And that doesn't make one part more important than the other. We live in a society that does not openly accept every kind of human being. And so the result is when you are yourself and someone who's marginalized, it becomes a revolutionary act - just being comfortable in your own body and being comfortable speaking, sharing your ideas. It's really amazing and also, like, kind of sad.
It is the shared experience - [although] you're the conduit of the sound, the recipient is also in some way the author of the work, because if they weren't the author of the work they wouldn't be able to recognise it as an experience, you could argue. The more distance you can put between yourself and having any kind of objective the more likely it is to appear.
In the upshot there is only one answer for the preacher who wonders whether he is worthy to preach the sermon he has composed or for the writer who wonders whether he is worthy to write the religious book he is working on. The answer is: Of course not. To ask yourself: Am I worthy to perform this Christian task? is really the peak of pride and presumption. For the very question carries the implication that we spend most of our time doing things we are worthy to do. We simply do not have that kind of worth.
Everyone accepts the abstraction of Bach. My work aspires to the same kind of abstraction, which is so engaging that you're distracted from asking about what it means. So many paintings have hidden meanings or need wall texts, but my work is not in that category. Once it's in the viewer's eyes my job will be judged on whether or not it is engaging and pulls you in to a kind of intelligence or poetic something going on there that makes it sustainable to look at.
It's my belief that one of the unconscious reasons which underlies the odd attitude of the establishment toward hallucinogens is the fact that they bring the mystery to the surface as an individual experience. In other words, you do not understand the psychedelic experience by getting a report from Time magazine or even the Economist. You only understand the psychedelic experience by having it.
Love is not some complex, mystical abstraction. It is something accessible and human that we learn through our everyday experience, as often at times of failure as in moments of ecstasy.
What we call reality is a subset of accessible spaces.
If you’re a long-time Thor fan you know there’s kind of a tradition from time to time of somebody else picking up that hammer. Beta Ray Bill was a horse-faced alien guy who picked up the hammer. At one point Thor was a frog. So I think if we can accept Thor as a frog and a horse-faced alien, we should be able to accept a woman being able to pick up that hammer and wield it for a while, which surprisingly we’ve never really seen before.
When you're watching yourself work, you're not really an audience member for yourself. Even being confronted by your own image can be jarring sometimes. The experience of making a movie or a television show is this really full one, and sometimes you see it and even if it's a great piece of work, it's not the experience - i t's almost sad because it reminds you of something that isn't anymore.
I grew up with very hands-on jobs. I was raised on a farm and taught to work hard. In this high-tech, high-speed society, somewhere along the line, we got the message that if we're not a brain surgeon or an astronaut, we really shouldn't be proud of ourselves.
So what needs to be done is to spread the idea that anxiety is inappropriate. It's sort of like we who are psychedelic have to function as sitters for society, because society is going to thrash, and resist, and think it's dying, and be deluded, and regurgitate unconscious material, and so forth and so on. And the role then, I think, for psychedelic people is to try and spread calm.
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