A Quote by Terence McKenna
The imagination is the goal of history. I see culture as an effort to literally realize our collective dreams.
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Our memory is made up of our individual memories and our collective memories. The two are intimately linked. And history is our collective memory. If our collective memory is taken from us - is rewritten - we lose the ability to sustain our true selves.
People can relate to horses. Horses, I think, are basically in our genetic history. Horses were part of our culture, part of our collective society, for hundreds of years, and so, the horse is one of the most familiar animals to people of any race or culture or country.
In our culture, many of us idealize love. We see it as some lofty cure-all for all of life's problems. Our movies and our stories and our history all celebrate it as life's ultimate goal, the final solution for all of our pain and struggle. And because we idealize love, we overestimate it. As a result, our relationships pay a price.
My hope is that I may bear witness to the fact that there is a great mystery calling to us all, beckoning across the landscape of our history, promising to realize itself and to give real meaning to what is otherwise only the confusion of our lives and our collective past.
A library is a home filled with our stories. On every shelf, we see ourselves, experience our collective conscious, describe our dreams and our great longing for times that have passed, the sterling moment of the present and the glorious future known only in our imaginations.
That's grossing money for other people that has a multiplying factor, but the government doesn't see that. It doesn't see that making a film or culture or art is part of our economy. But the main reason is this, it's part of our identity. I think cinema is the memory and the imagination of the country. Take the memory and imagination out of an individual and he's stops being an individual.
Our dreams of bringing the whole of human history under the control of the human will are ironically refuted by the fact that no group of idealists can easily move the pattern of history toward the desired goal of peace and justice. The recalcitrant forces in the historical drama have a power and persistence beyond our reckoning.
The first arrival of earthly life on another celestial body ranks as an epochal event not only for our generation, but in the history of our planet. Neil Armstrong was at the cusp of the Apollo programme. This was a collective technological effort of epic scale, but his is the one name sure to be remembered centuries hence.
It's the individual effort of everybody working together towards a collective goal that causes real, effective change in America and in the world.
Science and Technology revolutionize our lives, but memory, tradition and myth frame our response. Expelled from individual consciousness by the rush of change, history finds its revenge by stamping the collective unconscious with habits, values, expectations, dreams. The dialectic between past and future will continue to form our lives.
I want my work to become part of our visual history, to enter our collective memory and our collective conscience. I hope it will serve to remind us that history's deepest tragedies concern not the great protagonists who set events in motion but the countless ordinary people who are caught up in those events and torn apart by their remorseless fury. I have been a witness, and these pictures are my testimony. The events I have recorded should not be forgotten and must not be repeated.
Our imagination it is our greatest ally . . . Imagination is a very, very powerful thing. It literally invents the path before you.
In a culture fueled by burnout, a culture that has run itself down, our national resilience becomes compromised. And when our collective immune system is weakened, we become more susceptible to viruses that are part of every culture because they're part of human nature - fear-mongering, scapegoating, conspiracy theories, and demagoguery.
I see Lord Buddha doing to our collective spiritual well-being what global trade did to our collective economic well-being and the digital internet did to our collective intellectual well-being.
The best way to prevent the homegrown-inspired attacks is literally positive engagement with Muslim communities. Making sure that any immigrant population that comes into America assimilates, becomes part of our culture. That has been our history; it has made us strong.
You're afraid of imagination and even more afraid of dreams. Afraid of the resposibility that begins in dreams. But you have to sleep and dreams are a part of sleep. When you're awake you can suppress imagination but you can't supress dreams.
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