A Quote by Terence McKenna
The thing that seemed to me so important about the psychedelic experience was that it happened to me. I wasn't reading John Chrysostom or Meister Eckhart. And so I assumed that I am a very ordinary person, therefore, if it happened to me it could happen to anyone.
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Seriously, I am not a person that I think much about what happened or what didn't happen or what could happen. I happy about the things that happened to me. I'm a lucky person, for sure, for all the things that happened to me during my life.
And at the time, it is funny how you can look at something and say, for example with my shoulder injury, when it first happened I said this is the worst thing that could happen to me. Why me, why now? Now I look back and say it was probably the best thing that happened to me.
And at the time, it is funny how you can look at something and say, for example with my shoulder injury, when it first happened I said this is the worst thing that could happen to me. Why me, why now? Now I look back and say it was probably the best thing that happened to me
Expectations are usually predicated on the idea that the everyday things that happen to ordinary people shouldn't happen to you. People hold the idea of being ordinary in absolute contempt, so when they face an illness, poverty, or any kind of catastrophe, they say, "I can't believe this happened to me." And who did you think it was going to happen to - the woman across the street? It makes them think, "I must be on the wrong path." But what if something you thought was bad was the best thing that ever happened to you? What if that was part of your path?
That something happened to you is of no importance to anyone, not even to you. The important thing about you is what you choose to make happen - your values and choices. That which happened by accident - what family you were born into, in what country, and where you went to school - is totally unimportant.
Many things have been said about what happened, but I don't know either. Maybe someday. One thing I'm sure of is that all the things that have happened to me, good and bad, happy and sad, have made me what I am today.
The best thing that could've happened to me was that I learned a lot in Vegas, but I didn't know how to implement it. Whenever I came to Texas, all we had was Marc Laimon, jiu-jitsu coach. We didn't have a striking coach. So me and him started to just develop our own game, because he knows nothing about striking. We sat down and we sort of found my style. I think that was the best thing that could've happened to me.
The plot is very important because writers have to play fair with their readers, but no one would care about the plot if the character work wasn't there. So, basically every book I work on starts with me thinking not just about the bad thing that's going to happen, but how that bad thing is going to ripple through the community, the family of the victim, and the lives of the investigators. I am keenly aware when I'm working that the crimes I am writing about have happened to real people. I take that very seriously.
J has told me about his past. I know what happened and why. But he is the one person who made me believe in my talent and whatever happened in the past, he's been a wonderful manager to me.
I think one of the worst things that happened to me was, you know, my voluntary fallout with my father. And then the greatest thing that happened to me was when I saw the light, and realized I needed to love him in a way that he could love me back.
What happened to me in the Sixties was so major and so worldwide and so huge, there's no way I can repeat it. But in a way, I had nothing to do with it, it just took me over. It was bizarre, it was weird, and I had no control over it. I don't think anyone could have planned what happened to me.
What I bring to the interview is respect. The person recognizes that you respect them because you're listening. Because you're listening, they feel good about talking to you. When someone tells me a thing that happened, what do I feel inside? I want to get the story out. It's for the person who reads it to have the feeling . . . In most cases the person I encounter is not a celebrity; rather the ordinary person. "Ordinary" is a word I loathe. It has a patronizing air. I have come across ordinary people who have done extraordinary things. (p. 176)
What I don't like so much is to give explanations about people's behaviour... I'm not interested in making conclusions. I would never think about myself or anyone else, 'Well, this happened, this happened, this happened, so this must be the result.' It doesn't work like that with me.
It was inconceivable to me as a child that I would be an adult. I mean, one assumed that it would happen, but obviously it didn't happen, or if it did, it happened when your back was turned, and then suddenly you were there. So I couldn't have thought about it much.
I always wanted to write a book about a common food that becomes a commercial commodity and therefore becomes economically important and therefore becomes politically important and culturally important. That whole process is very interesting to me. And salt seemed to me the best example of that, partly because it's universal.
The thing that is cool about my come up is that I dealt with fame and having money gradually. It didn't happen overnight. It was something that took a while to happen. It was something that humbled me and made me very appreciative of my blessings more than I would have been if it had happened faster and easier.
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