A Quote by Terrence Malick

I'd always liked movies in a kind of naive way. They seemed no less improbable a career than anything else. — © Terrence Malick
I'd always liked movies in a kind of naive way. They seemed no less improbable a career than anything else.
Black metal seemed way deeper than anything else, and I kind of got addicted to it.
It's just kind of seemed like a funny way to explore action movies, I guess. I mean, I'm a big fan of them always. It's always people who are very equipped to deal with the situations that they're thrown in. So, the notion just seemed funny, because it's, like, basically stoners are kind of the last guys in the world who are equipped to deal with that. And the humor possibilities just seemed somewhat endless.
For a number of years, I'd been around the kind of people who financed movies and the kind of people who are there to make the deals for movies. But I'd always had this naive idea that everybody wants to make movies as good as they can be, which is stupid.
If anything, I learned most from being a huge fan of his and watching movies like Annie Hall and Manhattan over and over again - that influenced the kind of movies that I wanted to make more than anything else.
I can't add. I don't understand basic science. Or anything else. But I can read anything. I've always been able to, and I've always liked to. Even if I didn't understand it, I liked to.
I grew up on particular movies that said something to me as a kid from Missouri, movies that showed me places I'd yet traveled, or different cultures, or explained something, or said something in a better way than I could ever say. I wanted to find the movies like that. It was less about a career than finding the films I wanted to see.
There is definitely a way in which women are raised to be less proactive, less business-oriented, and less willing to jump into creative no man's land. I think media has more of an influence on how we perceive gender identity than anything else.
I suppose for me as an artist it wasn't always just about expressing my work; I really wanted, more than anything else, to contribute in some way to the culture that I was living in. It just seemed like a challenge to move it a little bit towards the way I thought it might be interesting to go.
I don't think making love the new bottom line is naïve; I believe that thinking we can survive the next hundred years doing anything less, is naïve.
The years in Boston were the best of my career, and they mean more to me than anything. Winning on that stage was incomparable to anything else. That's the way I choose to look at it.
It always sounds kind of trivial, but when I was a kid I was always so impressed by how serious the comic books were. I always liked how they were half way between literature and the cinema. I liked the visuals and I liked the simplicity of a certain type of moral dilemma.
I am not naive enough to settle for anything less than a reasonable valuation of my worth.
Being naive simply means that we reject received wisdom that something is a problem. We are always naive relative to some definition of the situation, and if we try to become less so, we may accept a definition that confines the definition of small wins to narrower issues than is necessary.
I always wanted to be a performer, I didn't know exactly what kind of performer, all I knew was there were certain things that I liked. I liked movies a whole lot, and I loved music.
She liked books more than anything else, and was, in fact, always inventing stories of beautiful things and telling them to herself.
I think being tortured as a virtue is a kind of antiquated sense of what it is to be an artist. It comes out of that Symbolist idea, back to Rimbaud and all that disordering of the senses and all of that being some exalted state. When I've been that way, I've always been less exalted than I would have liked.
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