A Quote by Terry Bozzio

Of course the headspace for the young musician is whatever the guy who is paying you says, is right, but that's all. — © Terry Bozzio
Of course the headspace for the young musician is whatever the guy who is paying you says, is right, but that's all.
I love movies that are challenging to me both physically and emotionally and that I have to take a lot of time leading up to it to get into that headspace and live in that headspace throughout the course of the production.
'The Franchise' is that guy that never had an off switch. Whatever pops into his head, he says. Whatever he wants to do, he does.
Dana White's awesome. He's an emotional guy, but I feel like he's a good guy. He's an emotional guy. He's like Donald Trump. He says whatever the hell he wants.
I am a session guy and a studio musician and whatever you need me to do I will do it.
Andrew Creighton, who ran Europe for us and who now runs the company day-to-day, would always go to the people he would hire and say, "Look, I don't know what it is, but whatever this guy says comes true because he's got some sort of weird self-fulfilling-prophecy thing." And that's exactly right. The reason I was so bombastic or whatever was because you have to believe it.
The Eagles portrayed me to be this crazy young thug guy. But as far as me being a respectful guy and doing what's right instead of wrong - I've always felt I've been on that right path.
It's difficult for a young girl like me. Because there's a certain time for young actresses, which is like a really juicy period when all the parts are love interests and young heroines. Of course, there's always work for men whatever age they are.
So Nemerov showed us this picture, which is of Apollo flaying Marcius. You don't think of Apollo as being the sort of person who would skin someone alive. But the story behind it was that there was this guy who was a really great musician, and all the women loved him, and people started saying he was the best musician in the world, so Apollo got jealous and he challenged this guy to a musical dual. They would each play a song and the muses would judge who was the better musician.
Whatever headspace you need to live in for your character is sort of where you stay in between scenes.
Collaborations work when both or however many parties are the right people to be working together for whatever reason - whether it's two musicians or a musician and a filmmaker or a musician and a choreographer, if the combination is right, the possibility exists to make something greater than the individuals could make. But if the combination is wrong than you generally end up with a compromised piece is probably less than the individuals could make.
My experience of test screenings is that you don't know what kind of mood people are going to be in, and sometimes the studios accept what Joe Blo says - and this guy could just be a frustrated filmmaker, or not paying attention.
Dad says do whatever your heart says is right, and I am following this in my career. I feel lucky that he is my dad.
Troy Deeney is a good guy, he's one of the nicest guys I've played with. He says it how it is. He's not a guy that beats around the bush. If he's not happy, he says what he feels.
The Second Amendment! It says you have the right to bear arms, or the right to arm bears, whatever the hell you want to do!
But Dr. Smith says, and I believe it to be a true state of the case, that he himself gave a course of Lectures in Natural Philosophy, during the same winter, and that the money raised by them was also applied towards paying for the Orrery.
Whatever you do, you need courage. Whatever course you decide upon, there is always someone to tell you that you are wrong. There are always difficulties arising that tempt you to believe your critics are right. To map out a course of action and follow it to an end requires some of the same courage that a soldier needs. Peace has its victories, but it takes brave men and women to win them.
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