A Quote by Terry Gilliam

People in Hollywood are not showmen, they're maintenance men, pandering to what they think their audiences want. — © Terry Gilliam
People in Hollywood are not showmen, they're maintenance men, pandering to what they think their audiences want.
Hollywood is a showman's paradise. But showmen make nothing; they exploit what someone else has made. The publisher and the play producer are showmen too; but they exploit what is already made. The showmen of Hollywood control the making - and thereby degrade it. For the basic art of motion pictures is the screenplay; it is fundamental, without it there is nothing. Everything derives from the screenplay, and most of that which derives is an applied skill which, however adept, is artistically not in the same class with the creation of a screenplay.
I think audiences crave something new. I don't think audiences want the same old thing, no matter how much conventional Hollywood tells you that.
Some people think big audiences are crass and that, say, a comedy that appeals to a wide audience is pandering. Other people would argue that you could say that about Moliere.
Of course.” She fluffed her hair. “I don’t want to brag, but I’m very high maintenance.” “Uh, I think low maintenance is what’s desirable.” “Low maintenance is what’s forgettable. You might want to write that down, underline it, circle it and put a star by it. It’s golden.” With barely a breath, she added, “Now let’s find out if we’re compatible, shall we?
I think people in Hollywood are afraid of sentiment because they think audiences will reject it.
Unfortunately, I think I'm going to be typecast in Hollywood as the kid who can cry. I don't like putting audiences through those emotional ups and downs. I don't want people to think Dana Hill is so depressing all she does is cry. But the parts are so good, I can't turn them down.
I don't think a lot of people - when they associate you with Hollywood, they don't want to think of you as normal. They want to hear, you know, all the stuff in Hollywood.
TV can reach broad audiences, mass audiences, niche audiences; it can be local, regional, national; it can be spots, sponsorship, interactive. It can be anything you want it to be. I tend to think of TV as the Swiss Army knife of media, it's got something for everybody.
I know, that trends and all of those things and formulae that calculate what audiences want to see and what audiences don't want to see and various other demographic demarcations are the eccentric and ludicrous prerogative of Hollywood studios. But out there in the real world - by which I mean the rest of the world where we make truthful organic films, independent films unimpeded by interference - it's not about all those sort of calculating what is commercial. It's about wanting to say things and saying them in a way that will get through to people.
I think I used to be lower maintenance. I think I'm slowly becoming higher maintenance.
There are some audiences who are uncomfortable with the ambiguity, though. They want a film to chew their food for them, they want Hollywood endings that tie everything together in the end and answer all of the questions. They are usually people on one extreme of the political spectrum or other and they haven't been happy because the film is not polemical enough on their side. They aren't usually people who aren't interested in understanding points of view that they disagree with - they just want to attack their opponents - and I'm ok with them not liking the film.
There's nothing in Hollywood that's inherently detrimental to good art. I think that's a fallacy that we've created because we frame the work that way too overtly. 'This is Hollywood.' 'This isn't Hollywood.' It's like, 'No, this is actually all Hollywood.' People are just framing them differently.
What's very important for me is that I want family audiences - all kinds of audiences - to watch my films, and the more people who watch the movies, the better. So I want to be part of popular cinema.
If you start pandering to young people, you're going to get accused of simply giving people what they want.
I don't want to ever write a book that seems like it's pandering to younger people or talking down to people who I know are very smart.
You know, there's so much imitation and so much pandering in Hollywood.
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