A Quote by Terry Gilliam

I want brave people. Fearless ones. A good actor just goes out and leaps off the edge and develops wings on his way down, hopefully. That's the kind of people I really enjoy working with. Playing safe isn't much fun. I like danger. It's controlled danger, always, and that's why I hope I don't lure too many good actors down into the pits with me, because I hope they maintain their own unique talents.
People ask me, 'Why don't you take time off?' but the working class doesn't take time off. They're out there working every day. That's what I do, too. I want them to know there is hope, and I'm out there just like they are.
Because people learn from their mistakes, Danger. Pain and failure are a natural part of life. It's kind of like a parent who watches their child fall down while learning to walk. Instead of coddling the child, you set them back on their feet and let them try again. They have to stumble before they can run. (Alexion) Do you really believe that we need to have our hearts ripped out? (Danger) A flower can't grow without rain. (Alexion) Too much rain and it drowns. (Danger) And yet the most beautiful of the lotus flowers are the ones that grow in the deepest mud. (Alexion)
Evan Bourne is just like me. Hopefully, he can pick out his offensive moves, because he's got so many, and he's so incredible to watch. I just hope he takes the advice of all of us who have been around a little bit longer and he can tone it down. That way, he can last a lot longer.
When I do interviews, sometimes I'll just be like "Why the hell did I say that?" because after I hang up the phone I realize there were so many things I could have said, but my brain just goes on lockdown. There's something about having conversations with people that's so much different from just singing and playing guitar. And I think a lot of people are actually performers because of that. I can't really explain why. It's like just the only chance you have in life to feel really good and outgoing.
Whenever actors tout off about doing their own stunts, it's always ... they're so protective of you that I always know these stunt guys are so good [and] they're never going to put you in danger. But it's fun to do something kind of exciting, even something as simple as driving 70 through a tunnel with five motorcycles ... it sounds simple, but it's actually really nerve-wracking.
It`s always been the same for me. I`ve always enjoyed acting, and I really love good actors; they`re such unique characters. I wish I could tell stories well, or tell a joke. Any time someone can do that it`s so satisfying. Sean Penn, for instance, is a really good actor, and he can tell a good joke or story. But it`s hard to do. Most actors have special talents that make them attractive, but they`re often odd characters.
People always think I get really good reviews, but I don't. That's why I don't go on the Internet much - because you can go down a dark hole looking at stuff. Once, I clicked on my name and freaked out. It's too bizarre, it's too weird, it's too unsettling.
So much of the time I'm cast as an asshole or a douchebag, or that kind of thing. I'd like to go back to just playing a guy with a good heart. Usually so much of my stuff is ulterior motives or a dark thing to it. Maybe that's what other people see in me, but I feel like I have a warm side, too, humor and fun. I'd like to play a little bit more of that. Feel-good stuff. Why not?
People always ask, 'Man, why don't you come out and enjoy it? Why don't you celebrate? Why don't you have any fun?' My fun is Sundays. Anybody can go to the club. You don't have to be good at going to the club to go to the club. You have to be good to be playing on Sundays, and to me, that's what's cool.
I had a really good time working with Jim Cameron. A lot of people didn't, but I did as I got on with him really quite well. For a director who spends most of his time looking down a lens or in the digitisation studio or working out some graphics, he is actually very good with actors.
When it comes down to it, it's giving people a good night out in a basic way and I think my company guarantees that. There's always something new and something to excite us and surprise us, and that's why people come back, I hope.
First and foremost, I want people to have a good read, because I want everything I write to entertain people. There are always different layers to the story, though, so if you want to think about social justice, or sexism or racism or homophobia, or really drill down into why the world is a better place when the police force looks like the people they are policing, then that's there, too.
I just hope people enjoy 'Phase' as much as I've enjoyed making it. I hope it's a good reaction.
I meet so many people. I want to be genuine and open with everyone, because when I was young and just starting out, I remember I was around people who were successful, and I thought that some were kind of cool or off-putting to their fans. It always really bothered me. So I think I may sometimes go too far out of my way.
Can't you just thank me and get over it?" "Thank you." I waited, fuming and expectant. "You're not going to let it go, are you?" "No." "In that case . . . I hope you enjoy disappointment." We scowled at each other in silence. I was the first to speak, trying to keep myself focused. I was in danger of being distracted by his livid, glorious face. It was like trying to stare down a destroying angel. "Why did you even bother?" I asked frigidly. He paused, and for a brief moment his stunning face was unexpectedly vulnerable. "I don't know," he whispered.
When I realized that Reuben was a young man who really wanted to be taken seriously, because he was dismissed for being too good looking or because he had too much money - his character really came to life for me. I began to understand that, and see that a lot of people feel this way - misunderstood because of their talents or gifts or background.
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