A Quote by Terry Gilliam
We did Holy Grail, and I got my name up there as one of the directors. After that, I started moving more and more down the line I wanted to, which was making movies.
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I came out of film school and went after movies that I thought audiences wanted to see or that the studios wanted, as opposed to the movies that I wanted. Over the last 10 years, I've gravitated more and more toward the films that I grew up loving - classic Spielberg, Lucas, James Cameron and Ridley Scott movies.
After college, I shot a pilot for a show on Lifetime, which was basically House of Style for a TV lover. I think I got paid $1,500, and I was like, "Mom, I'm moving out! I made it!" I did two seasons of that, but I felt like a talking head and wanted to do more.
The movies have got more corporate, they're making fewer movies in general, and those they are making are all $200-$300m tent-pole releases that eat up all the oxygen.
As I got more successful, I felt it was more incumbent upon me to help the other people. I did more and more and the more I did the more I wanted.
John Martyn is my biggest hero. My mom got me into his music when I was a kid. I've looked up to him more than anyone as a songwriter. And Bert Jansch is one of the pillars of acoustic music, the holy grail.
I love movies; I grew up loving movies. I've always loved movies. I never thought about making movies until I took art classes and then I started studying different artists. As you study paintings, you see light and shadow, of course - Rembrandt, Eugène Delacroix. You start to understand the relationship between people and art, and images. For me, between movies that I watched and art, it was like, I'd love to make moving art. Moving pictures.
I like being able to bounce between writing movies for people like Kevin Sorbo to making very personal films like orange county hardcore sinister to making a movie like [Wyatt Earp and the Holy Grail: The Tale of the Three Gates], which is made for the pure pleasure of getting together with creative people and making a movie. Alex Cox would be proud.
[Wyatt Earp and the Holy Grail] it is a big story, which is why there are two more films coming, which will bring the total length of the series to 3 hours.
As I got older and started moving up the ranking, the matches got more important, and my emotions ratcheted up. I guess I hid my real feelings behind the anger.
As I got older, I started to do it more and more, and I wanted to learn all of the different types. I grew up doing modern, so I wanted to learn ballet, tap, jazz, and African - just everything.
When I started making my own music, I was more about recreating what I was hearing. I noticed that I had some control over what I was saying, and the effects that it's going to have on people. I wanted to focus more on the positive side of things, which are more in tune with my morals and ethics.
It seems crazy moving from making little movies to making like literally movies with Marvel, which are like the biggest movies that they make.
Warsan means "good news" and Shire means "to gather in one place". My parents named me after my father's mother, my grandmother. Growing up, I absolutely wanted a name that was easier to pronounce, more common, prettier. But then I grew up and understood the power of a name, the beauty that comes in understanding how your name has affected who you are.
When I started making movies, I was pretty young, and at the time I felt like there needed to be more confrontation in cinema - or I needed to make something more disruptive - so in the beginning, those movies were me wanting to play with the rules.
I started as a child, in this PBS series 'Voyage of the Mimi,' which led to driving down to New York for 'Afterschool Special' auditions, which led to moving to Los Angeles. I wanted to be an actor. But in L.A., I got into film technology, and I was building cheap editing systems and would edit my friend's acting reels.
I think it would be great to have more female directors making huge-budget movies.
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