A Quote by Terry Gilliam
I was doing political cartoons and getting angry to the point where I felt I was going to have to start making and throwing bombs. I thought I was probably a better cartoonist than a bomb maker.
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I started doing cartoons when I was about 21. I never thought I would be a cartoonist. It happened behind my back. I was always a painter and drawer.
I hate those live action versions of animated cartoons. It ruins everything, the whole point of cartoons is to get away from photographs. I mean it would be stupid to say that cartoons are better than photographs but its true.
A bomb is a bomb, what's the difference between different kinds of bombs? All bombs are to kill, but it's about how to use it.
When I was 18, I went to the Soviet Union. I kept hearing that America was planning to bomb them - lots of bombs were going to come down on these people. I went there not knowing anything, except that I thought the whole thing was stupid and that I wanted to see who these people were that we were going to bomb.
I was turning up at sets where inexperienced people were making these badly written films - but they were doing it; that was the point. They were getting their films out there. And they were paying me, so they obviously had access to money. I just thought, 'I can make something better than this.'
And besides, I'm so in Dutch with my neighbors here that I thought that was better than getting them all upset with what might be a fake bomb scare where they'd have to clear out the whole neighborhood.
I never really thought of myself as an Asian-American cartoonist, any more than I thought of myself as a cartoonist who wears glasses.
The atom bomb was no “great decision.” It was used in the war, and for your information, there were more people killed by fire bombs in Tokyo than dropping of the atomic bombs accounted for. It was merely another powerful weapon in the arsenal of righteousness. The dropping of the bombs stopped the war, save millions of lives.
I couldn't have thrown that bomb. I was at home making bombs
The first action to be taken is to pull ourselves together. If we are going to be destroyed by an atomic bomb, let that bomb, when it comes, find us doing sensible and human things -- praying, working, teaching, reading, listening to music, bathing the children, playing tennis, chatting to our friends over a pint and a game of darts -- not huddled together like frightened sheep and thinking about bombs.
And all the things I thought were mistakes and I did cartoons on them. And then I think I was the first cartoonist in the country to attack the war in Viet Nam and that helped influence a whole generation of young cartoonists who later on took up the battle. And that was exciting to know that I had helped influence work of young people who were moving this forum into a better and more exciting area, out of the more by the state that political cartooning had been in.
When you're just starting out in the TV business, you don't know anything at all, and you think you're doing a better job than everyone else around you, and you just sort of presume that you're not getting the credit you deserve. And then when you start to get better, the pressure is extraordinary, and then you start to second-guess everything you do, and when people start looking to you for answers, for insight and for analysis and guidance, you start to wonder if you are the right person - even when you have all the information.
I love Death Race, it's one of my favorite films. I thought, "You know what? All that two years worth of work is now gong to be wasted because I'm highly unlikely to direct another car movie straight away," and I felt at that point there was no one who was kind of better at shooting cars, so I thought rather than let it go to waste I would explore the idea of doing commercials, and that's what I did.
The Israelis have nuclear bombs but we have the children bomb and these human bombs must continue until liberation.
When we were making The Fugitive, we all thought it was going to bomb.
I think The New Yorker's cartoons aren't very political because the people who do the cartoons aren't awfully political people, and they aren't paid to be political. I think editorial cartoonists are. That's what they do. They probably have a great natural interest in politics, and then they are paid to do it, so they sort of have to hunt out these ideas. I admire editorial cartoons, but I'm also sort of happy that I don't do them because I'd hate to have to label things and I'd especially hate, more than anything, to label something Dennis Hastert or Mark Foley.
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