A Quote by Terry Teachout
Your regional newspaper, and I like to use this example, in your local museum buys a Picasso, that's news especially if they've spent $10 million for it. But if you don't have a credit on your staff then you don't have anybody who's confident to say whether or not it was a good Picasso, might even be aware of the fact that there are bad Picassos. Arts journalists who don't have the experience of criticism, the skill of criticism, don't think in terms of critical evaluation are not going to be as good a journalist as they might be.
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There's a point where art is not subjective, and my example for that is Picasso. If you don't like Picasso, that's your problem.
No theoretician, no writer on art, however interesting he or she might be, could be as interesting as Picasso. A good writer on art may give you an insight to Picasso, but, after all, Picasso was there first.
I divide criticism into two categories - one coming from those who understand music, who are worthy of being critical because they are knowledgeable about what they are saying; and then there is another category of people who would criticise you anyway, whether your work is good or bad.
I don't have a very high opinion, actually, of the world of criticism - or the practice of criticism. I think I admire art criticism, criticism of painting and sculpture, far more than I do that of say films and books, literary or film criticism. But I don't much like the practice. I think there are an awful lot of bad people in it.
I appreciate good criticism and I think it's really important. I don't like it when it's consumer advocacy, like how you should spend your $60. Great criticism is a kind of literature. I've written some criticism, and I really enjoy it because I think it's important for people to know that theatre is vital. Criticism is really unevenly distributed in this town. Obviously the power of the Times is discouraging. It's killing new plays, demolishing one after another.
It's a myth that if you're liked by only four people it must be good. It might also be very bad: they might be your mother, your brother, your uncle and your aunt.
One of the things that I truly have had to learn, sometimes the hard way, but that I'd like to share with you is to trust your own instincts no matter what people might say about you, no matter what criticism or what negativity might come your way for just being who you are, and just being yourself, it's so important. Tonight is your night.
That's something you can't get off the wires in New York is people providing intelligent coverage of what your theater company in Podunk is up to. Many of the people who write what we call amateur criticism are professionals in anything other than name and receiving a paycheck. Very often, they know more than the professional critic who might be writing for their local newspaper. So, really, I'm all for it. It's changing the playing field, it's shaking things up, it's going to make the critical environment a healthier environment.
Try to keep your mouth shut until you have a job offer, especially if your move is not entirely certain. There are only a few cases in which I think it would be appropriate to tell your boss what's going on. For example, if your spouse is being forced to relocate, obviously you are going to go, and if you have a good relationship with your boss, then it might take some stress off of you to tell the truth. The general rule, though, is not to give your employer more power over your destiny than you have yourself.
Everything around you can use. It's like your tools and your material. Whether it's in performing arts like dance, or visual arts, or poetry, a lot of those elements can come and help you, can trigger your creativity. But you have to be open, be aware, and you have to be ready to look.
I visited the Museum of Modern Art and viewed the exhibition of Picasso's sculptures, and I couldn't help but think about what it would be like to have a room full of school children explore Picasso's approach to making art.
I don't happen to approve of plastic surgery. I think God put plastic surgeons on this earth for good reasons - people get burned or people might have a nose like Pinocchio and that has to be fixed. But to just chop yourself up to look a few years younger? You could come out looking like a Picasso picture. And you still have your hands to contend with. If you're 70, no one is going to think you're 35. The whole concept is kind of stupid.
It's not fair that our name can be used in any newspaper, any article connected with anything, and we can't really fight about it. It's like any newspaper that might take a picture of you, bad or good, and sometimes they're awful pictures, and they can use them without your approval and you can't do anything about it.
There's no concession to the fact that Dylan might be a more sophisticated singer than Whitney Houston, that he's probably the most sophisticated singer we've had in a generation. Nobody is identifying our popular singers like a Matisse or Picasso. Dylan's a Picasso - that exuberance, range, and assimilation of the whole history of music.
In the family, in interpersonal relationships, even in friendship, faith is tremendously important. If you have a partner who you believe is a good person, then it is your duty to have faith in them until the end, despite the fact that they might have done some bad things. And you have to support and believe in your children.
I'm not going to talk about Picasso. I have done my duty to those memories. I have had a great career as an artist myself, you know. I'm not here just because I've spent time with Picasso.
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