A Quote by Terry Zwigoff

Dialogue that's distinctive, funny, peculiar, and specific is the main thing that makes me want to get involved with a film to begin with. — © Terry Zwigoff
Dialogue that's distinctive, funny, peculiar, and specific is the main thing that makes me want to get involved with a film to begin with.
Someone trying to be funny probably isn't as funny as someone who doesn't want to be funny but is and can't help it. Someone being serious or angry might be funny. If you get angry, the first thing I want to do is laugh because I don't know why you're getting that angry. Pathos makes me laugh, funerals make me laugh.
It's funny, my agent came up to us and said, "That line, when Nicholas says, 'I'm gonna bust this thing wide open,' what film's that from?" I said, "I think it's from every film." It's just like you get into that kind of mode of generic dialogue, it's fun to do.
I got to play a funny part [in the The Master Of Disguise]. There was one thing my character did that involved flatulence and laughing at the same time - that was in the script - and that was basically what sold me on it. I really thought, "This can't help but be funny." And when I saw the film, I was proud that I'd had those moments.
The main thing that excites me and makes me want to get out of bed is the thought of being able to go into my studio to work on music.
I'm very attracted to directors who want to experiment. The thing that attracts me the most are people who are trying find a language that is correct for their film, for that specific film.
People like light and silly, and they like stuff that's really energetic, and you get a character in a film bouncing around and screaming, people laugh. That's all it takes. I don't find that funny. To me, what's funny is dialogue and nuance of character and performance.
The funny thing is that people see one film like 'Racing Stripes' or 'Ice Princess' and all of a sudden, slip me into this category of 'that's what she's always involved in.'
The funny thing is that people see one film like 'Racing Stripes' or 'Ice Princess' and all of a sudden, slip me into this category of 'that's what she's always involved in.
But the main thing I don't want to be is un-funny. That's really the mandate. Just whatever we're doing, make it as funny as we can possibly make it. And believe me, if the show starts going down, we'll introduce a baby. We'll do everything that they did on `Family Ties.' I'm not afraid of that.
I don't want to say that we are the world in that we are not distinct from each other. I want to say that the humanity that is our foundation is common, but my culture, my beliefs, my values, what makes me sing and what makes me happy and the language I speak in and the relationships I have in the world are distinctive.
We discovered this halfway through the process. When we started making the film there were some lines of dialogue in Portuguese, but we then changed our minds. The film started from very specific issues in the world, in particular Latin America, but halfway through the journey we felt the necessity to have more universal ideas that were not so specific.
Its, the gum tree, main appeal to me has been its combination of mightiness and delicacy - mighty in its strength of limb and delicate in the colouring of its covering. Then it has distinctive qualities; in fact I know of no other tree which is more decorative, both as regards the flow of its limbs and the patterns the bark makes on its main trunk. In all its stages the gum tree is extremely beautiful.
Now you say you have to absolutely truthful. Sincerity is the main thing, and truthfulness is the main thing and don't lie to anybody ... and you'll get ahead. Brother you sure will. You'll get ahead right on that cycle of action, right toward zero! It's a trap not being able to prevaricate ... This makes life more colorful!
I do think there are some actors that can get away with trying to be funny, and they're still funny because they're just likeable, and you want to see them. Me, though, when you see me trying to be funny, it's like the worst thing in the world. It's needy, it's cloying, it's manipulative - it's bad.
There's a guy in the audience with a distinctive laugh. I hope that guy is miked. The only problem with having a distinctive laugh is I know exactly when that guy isn't laughing. "Oh, distinctive laugh doesn't think that joke was funny!"
I've always been interested in film, so to get involved in any way in the genesis of making a film or music for a film is fascinating to me.
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