A Quote by Tess Daly
I haven't tried my favorite dance - the Argentine tango - with Vernon yet. I'm sure there would be a lot of toe stamping going on!
Related Quotes
I love ballroom dance, my favorite style being the Argentine Tango.
The Argentine tango isn't here to play nicely with the other children. The Argentine tango is here to seduce your women, spill things on your rug, and sneak out your bedroom window in the middle of the night.
I think those who say that you can't tango if you are not Argentine are mistaken. Tango was an immigrant music... so it does not have a nationality. It's only passport is feeling.
The traditional tango is really staccato, but with the Argentine tango, you have to be really sexy and saucy.
I'm a bad walker but I can dance tango. You know why? Put your hand up. Push on my fingertips and just hold it. In tango, your feet are free but the top of your body pushes, so if I feel like I'm gonna fall, my partner can catch me. So I walk with a stick but I can totally dance the tango. It's a romantic kind of thing.
I'm sure if the punishment fits the crime, or is more severe, you're going to start stamping out a lot of things that are going on in football.
I've always wanted to learn the Argentine tango.
Only the tango has continued to enjoy undiminished favor for more than twenty years in spite of polishing and refinement. To be sure, it is no pure Negro dance and owes its best qualities to the unusual dance talents of the Spaniards.
I tried to play Piazzolla's 'Grand Tango' at 20 and failed miserably. You need a little experience of life for tango.
Standing toe to toe with another fighter, I could probably do well, but a smart fighter is not going to stand toe to toe with me, and they're going to move to a weakness.
The Argentine tango is very special to me because it's full of sensuality. The chemistry between the man and woman is absolutely stunning.
GRINNING, DUCKING MY HEAD FOR BALANCE, I START TO SPIN WILDLY AS I CAN. THAT IS MY FAVORITE DANCE, BECAUSE IT CONTAINS A SECRET. THE FASTER I TWIRL, THE MORE I AM STILL INSIDE. MY DANCE IS ALL MOTION WITHOUT, ALL SILENCE WITHIN. AS MUCH AS I LOVE TO MAKE MUSIC, IT'S THE UNHEARD MUSIC THAT NEVER DIES. AND SILENCE IS MY REAL DANCE, THOUGH IT NEVER MOVES. IT STANDS ASIDE, MY CHOREOGRAPHER OF GRACE, AND BLESSES EACH FINGER AND TOE.
My baby she'll take a chance, my baby got a brand new dance, Wango Tango, Wango Tango.
Jorge Luis Borges was lamenting a variety of Orientalism that was used to measure the alleged authenticity of Argentine and Latin American writers in the midcentury. The Argentine literary tradition was believed by many, including many Argentines, to be concerned with a national imaginary in which the gauchos and the pampas and the tango were fundamental tropes. Borges, in part to legitimize his own Europhilia, correctly pointed out that expecting writers to engage with these romantic nationalist tropes was arbitrary and limiting, a genre that was demonstrative of its own artificiality.
We tried to act trendy. We took one of our songs and tried to make a dance mix. They put it on the turntables, unannounced, in Los Angeles and New York the same weekend, where they had a big dance crowd going wild. It cleared the floor on both coasts.
The important thing is to know why we want to dance. We dance a solitude that we have inside us and cannot occupy with anything. This gap, that emptiness to which we put movement is the TANGO.
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