A Quote by Theodor Mommsen

The writer of history is perhaps closer to the artist than the scholar. — © Theodor Mommsen
The writer of history is perhaps closer to the artist than the scholar.
Nowadays, if you're a great artist, you don't have to leave the house, which is a really big difference. You're closer to the artist. And the artist can be closer to their artistry without having to always worry about branding themselves or building something image-wise.
I trained as a writer before I became a lawyer. I was headed for a life as an English professor, but that just wasn't me. I'm not a scholar; I didn't have a scholar's attitude toward literature.
We're in a post-conceptual era where it's really the artist's idea and vision that are prized rather than the ability to master the crafts that support the work. Today, our understanding of an artist is closer to a philosopher than to a craftsman.
No scientist, engineer, writer, psychologist, artist, or physician - and certainly no scholar, and therefore no serious university faculty member - pursues his or her vocation by getting right answers from a set of prescribed alternatives that trivialize complexity and ambiguity.
I don't expect to ever put my family background to rest but I do expect to be taken seriously as a scholar, a writer and a Latin Americanist on my own terms, not defined through my parents and their history or politics.
My one failing as an artist is that I depend on reference material to perhaps a greater extent than I should. Delacroix said that if you can draw a man falling out of a window and have the drawing finished before he hits the ground then you're a real artist. I wasn't that kind of artist.
A wife, a lover, can perhaps never see what the artist sees. They rarely ever do. Perhaps a really mediocre artist has more chance of success.
There is the intent of the writer and the interpretation by the artist. What the writer intended and what the artist interprets is not a 1-to-1 translation. It's a crossing of ideas that generates the stories that you see in print.
The very concept of history implies the scholar and the reader. Without a generation of civilized people to study history, to preserve its records, to absorb its lessons and relate them to its own problems, history, too, would lose its meaning.
I'm probably a lot closer than perhaps the contents of my early fiction suggest to a jaded Denny's waitress with smoker's-lung-black humor than a ghost hunter.
A director in films is closer allied to the writer than anyone else.
If Rihanna stripped it all down morally rather than with her clothes, perhaps we'd get closer to Nina Simone. She's talented, but all we want is to sing the truth. If Britney Spears was to sing closer to her heart, she might have been the new Bobby Gentry or Dolly Parton.
I think one of the biggest things that's changed in terms of the rapport with the crowd is that now crowds come to hear our songs. We're getting closer and closer to an artist performance.
Judging your early artistic efforts is artist abuse. . . Remember that in order to recover as an artist, you must be willing to be a bad artist. Give yourself permission to be a beginner. By being willing to be a bad artist, you have a chance to be an artist, and perhaps, over time, a very good one
The detachment of the artist is kind of creepy. It's kind of rude, and yet really it's where art comes from. It's not the same as courage. It's closer to bad manners than to courage. If you're going to be a writer, you basically have to say, 'this is just who I am'. There's a certain indefensibility about it. It's not about loving your community and taking care of it — you're not attached to the chamber of commerce. It's a little unsafe. You have to be willing to have only four friends, not 11.
One of the advantages of having gone to Penn State was having had a scholar for a mentor - Philip Young. Also, a professional writer named Philip Klass taught there. He was a science fiction writer whose pseudonym was William Tenn. As a professional writer, he brought wisdom to teaching because he'd done it for a living.
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