A Quote by Theodore Melfi
As a director, you're open to any kind of criticism.
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Your actors need to trust you as a director, but normally, I think you just need to have an open communication between the actors and the director. I think the director needs to really paint his or her vision to the cast and let them know the kind of mood that he or she is making. I think that's very important.
Any show should be open to listening to constructive criticism.
I don't think there's any evidence to support that kind of criticism. I think that what
we have attempted to do is to say that environmental concerns should certainly be addressed. We're not suggesting that any kind of development trample upon the existing laws that are there to insure that we maintain as high a quality of environment as possible.
As a director, you're a bit of a dictator. But I feel that you're a better director if you're open to other people's ideas. It means that it's tougher: you have to be in a choosing process; you have to put the ego aside. As long as everybody's aiming in the same direction... I'm open to my main partners in the film crew.
Throughout my career, I have criticized my every single step and I am open to any criticism.
I believe that open criticism of any institution is necessary in a democracy, to safeguard the constitutional order.
That was one of the big problems in the [Black Panther] Party. Criticism and self-criticism were not encouraged, and the little that was given often wasn’t taken seriously. Constructive criticism and self-criticism are extremely important for any revolutionary organization. Without them, people tend to drown in their mistakes, not learn from them.
If I basically view criticism as sort of an interesting form of writing about oneself, an interesting form of autobiography, then I don't feel any pressure to have any kind of authoritative, universal voice. That kind of thing has never interested me.
There's no such thing as an actor giving positive criticism to a director. The minute you say 'Don't you think it would look nicer', that director's going to hate your guts. Particularly if it's a good idea.
There's no such thing as an actor giving positive criticism to a director. The minute you say 'Don't you think it would look nicer...', that director's going to hate your guts. Particularly if it's a good idea.
A lot of actors overthink about the kind of roles they wanna do. I am open to kind of any kind of role.
Theater is about interpretation and what an actor and what a director brings to a piece too. I'm open to it every time I work with a director and a group of actors. I have to be open to that interpretation. I'm not one of those hysterical playwrights that come and say, "This is not what I intended to do." It's one rendition of the piece.
I guess whatever the director's energy is is kind of contagious on set, because, um, you know, it's a hierarchy, and we're all kind of looking to the director for guidance.
Criticism is hard for me but people find hard to believe because they think I'm very tough, very strident, that I tell everybody where to get off, and how. But I've actually got a really thin skin. I don't know. It's quite pathetic. So, yeah, it's hard for me to take criticism. But I also kind of have this sense of humor on overdrive, so I don't take any of it seriously. So that sort of saves me, the fact that I think it's just all kind of funny.
This issue, if not addressed, leaves any President, including George Bush, open to the criticism that they are essentially ignoring the destruction of the nation and I believe that with all my heart.
When you're out there trying to still figure things out, it can just slow things down. So you have to kind of think on your feet, and it makes it kind of fun and exciting and challenging at the same time. But more time is always better for any movie. I think any director would probably tell you that. Any filmmaker, really.
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