A Quote by Theodore Sturgeon

You don't sit up in a cave and write the Great American Novel and know it is utterly superb, and then throw it page by page into the fire. You just don't do that. You send it out. You have to send it out.
It would just be a pamphlet. Three pages. The first page would be Drugs I Have Taken and then a list. The next page would be People I Have Slept With and then another list. Then the last page would be Famous People I Have Partied With and then another list. Because that's all people write in their autobiographies. Cut out all the bullshit and it's just a three-page pamphlet.
Go home and write / a page tonight. / And let that page come out of you - / Then, it will be true.
I just sit down and the page just comes out and I look at it and the elements that appear on that page have a lot to do with what's going on in my life.
Anytime there's a fire in a negro community and it's burning out of control, you send any one of them, send Whitney Young in to put it out.
Nous ne pouvons arracher une seule page de notre vie, mais nous pouvons jeter le livre au feu. We cannot tear out a single page from our life, but we can throw the entire book in the fire.
I want to wake up one morning and know how to write page one, or page 10, or page 250. But I never seem to know how to do it. Every book is different and takes a different structure, style, process, etc. And relearning how to write is where the insanity comes from.
When I write a book, I write very cleanly from page one to the last page. I hardly ever write out of sequence.
I don't know what it's like to be Cuban-American, but I know what it's like to have family under Communism and to get up early in the morning and send medical supplies and try to send food and try to send money and have it intervened, and them calling and crying on the phone.
Don't send out a newsletter just to send out a newsletter. One newsletter a year that is really interesting is more beneficial than 12 that are boring. If you write two or three boring newsletters in a row, your readers will start to think you write boring books.
We cannot tear out a single page of our life, but we can throw the whole book in the fire.
The definition of a page-turner really aught to be that this page is so good, you can't bear to leave it behind, but then the next page is there and it might be just as amazing as this one.
The worst thing is the blank page at the start. Then the horrible things written on the blank page. Then deciding whether or not to throw out those horrible things: lame scenes, lame characters, bad ideas.
For personal reasons, I do not browse the web from my computer. (I also have not net connection much of the time.) To look at page I send mail to a demon which runs wget and mails the page back to me. It is very efficient use of my time, but it is slow in real time.
Doing graphic novels is cool! It's fun! You get to write something, and then see it visually page by page, panel by panel, working with the artist, you get to see it fleshed out.
If you're an English actor and turn up in America, they don't have an opinion about where you sit. They have no idea what auditions to send you to, so they send you to everything.
I don't card out my screenplays ever. I just have an idea I just sit down and write I don't edit. Sometimes the first draft will come out at 200 pages. I think and think and I go, "um this story is about the brother that appears on page 178." I go back and I rewrite.
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