A Quote by Theodosius Dobzhansky

Marxists are more right than wrong when they argue that the problems scientists take up,. the way they go about solving them, and even the solutions they arc inclined to accept, arc conditioned by the intellectual, social, and economic environments in which they live and work.
I have to go through that arc with Dolores, and I didn't know what my arc was going to be. We found out episode by episode, and the more it went on, the more I felt a change in myself and allowed myself to be strong and to get angry and to access emotions that I don't normally, and I think a lot of women don't because we're kind of conditioned not to. It's freed me in a way, and it made me find a strength in myself.
Every film you're commissioned to write is all about an arc; usually, the arc is that the world creates a change in the character, usually for the better. To not have an arc, the messages and ideas in the film became more prominent.
When you accept the way things are, there's really no other way to operate than the way you've been conditioned to. You live in America: you're free to vote, you go vote, and you continue to see the problems of being a nationalistic society. You don't really know what to do because you're conditioned to feel that's just the way things are.
When you're researching things that have happened, the clear narrative arc is not there already. This is the problem of writing nonfiction for me - writing nonfiction which is about serious subjects and has serious political and social points to make, yet which is meant to be popular to a degree - what happens when the facts don't fit a convenient narrative arc? I guess that for a lot of nonfiction writers that is a central challenge.
With health care, once you set yourself up as the source for people's health care, not insurance, you own them. That way you have total control over how they must live in order to qualify for health care. And that's what Marxists want. Marxists and leftists do not trust individuals. They have contempt individuals won't do the right thing, the right thing being defined by what Marxists want.
Tunisia's responsibility, and especially that of its political and intellectual elites, is enormous. All the protagonists of the nation's social, cultural, economic and political life must work to overcome useless and counterproductive polarisation, and to find solutions to domestic, regional and international problems.
People have been saying that Amar Singh is more of an intellectual than a grassroot politician but we will prove them wrong. We will pick up problems, explore them in a realistic way and present them in parliament.
I think the arc of history is long, and it bends toward justice. And I think that's what the 'Star Wars' message is. You know, the dark side is in the human heart. And chaos is very troubling for an individual or for a culture, which can lead you to authoritarian leaders. But the arc of history is on the right side. I believe that.
You don't dive for specific solutions; you dive to enliven that ocean of consciousness. Then your intuition grows and you have a way of solving those problems-knowing when it's not quite right and knowing a way to make it feel correct for you. That capacity grows and things go much more smoothly.
Problems are a major part of life. Don’t whine about why you always have problems…get on with the solving. Take it from someone who has been there–the solving gets easier as you go along.
Marxists have some way of analyzing the development of affairs which enables them to judge far in advance of scientific thinkers what the trend of social and economic development is to be.
I dismiss personal profit and focus exclusively on people and planet. That's what I call social business: a nondividend company dedicated to solving human problems. You can go all the way, forgetting about personal profit, being single-minded about solving problems. The company makes profit, but profit stays with the company.
As a writer, you know what the purpose of the scene is. It really has nothing to do with the actor so you have to really get out of that space because for actors it's a micro-focus and then you figure out your arc through what the writers have given you to say. But that arc is just one little piece of the huge arc of the whole film. It took a while to get out of that.
It takes stamina to get up like an athlete every single night, seven to eight performances a week, 20 weeks in a row. And there are many young performers who only learn their craft in the two minute bits it takes to film a scene. You never learn the arc of storytelling, the arc of a character that way.
It doesn't take any effort to dream. It's a lot easier than looking at the problems in front of you and figuring out what you're going to do about them. But all you're doing is putting your problems up on a shelf for later, right? That doesn't make them go away.
Between the dusk of a summer night And the dawn of a summer day, We caught at a mood as it passed in flight, And we bade it stoop and stay. And what with the dawn of night began With the dusk of day was done; For that is the way of woman and man, When a hazard has made them one. Arc upon arc, from shade to shine, The World went thundering free; And what was his errand but hers and mine - The lords of him, I and she? O, it's die we must, but it's live we can, And the marvel of earth and sun Is all for the joy of woman and man And the longing that makes them one.
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