A Quote by Theresa Rebeck

In television, what you are doing is trying to fit your voice into a particular mold. — © Theresa Rebeck
In television, what you are doing is trying to fit your voice into a particular mold.
I didn't have to fit into a mold. You make the mold. People can smell a rat. If you're doing thing for marketing and for a record label, you're going to set yourself up to be called a phony. As long as it's true to you, you do it.
I was always trying to be leaner and thinner to fit the standard and the mold.
I loved the idea of doing impressions and mimicking and playing around with the spectrum of your own voice. That's what I enjoy most about doing voiceovers. You can be completely unconscious with the rest of your body and just concentrate on doing something with your voice, creating an entire character with your voice.
You don't have to go out there and fit the mold of what a quarterback is supposed to be. Make your own mold and do the best at each role. If you can run with the best and throw with the best, you can be the best quarterback in your own version of the position.
There's this message to comedians in particular, that you shouldn't write it, and a television writer should write it. And that's a prevailing conventional wisdom that I think is really wrong. That's not to say that television writers aren't great, but I think that the belief that some comedy writer's going to be able to capture your voice is naive.
I never liked feeling like the world needed to have labels on everything, whether it's people or categories of music. I think everyone should be what they want to be, and you shouldn't have to look a certain way in order to fit this mold or that mold.
I think that people in general appreciate honesty and not trying to cook something up just to fit a mold that would be beneficial for you. I never made music like that.
I didn't try to copy my dad or fit into the pressure or the mold that everybody tried to make me fit into.
'The Voice' has lots of singers who fit the 'Idol' mold of young, innocent ingenues with psycho stage moms. But it also has long-suffering adult pros, with a whiff of thirtysomething despair in their voices. That adds an edge of realness.
I felt free once I realized I was never going to fit the narrow mold society wanted me to fit in.
I felt free, once I realized i was never going to fit the narrow mold that society wanted me to fit in.
The fact that I am able to put myself out there in this age of social media and YouTube is really a gift to someone who never felt like I fit into any particular mold. One of the reasons people are responding to it is because it is coming from a pure place.
I started in theatre, moved into film and television, and started doing voice work, which is funny because after a long time in film and television, you forget how much you rely on just a simple look on your face.
Be original. The world will try to fit you into a mold, but carve your own path.
What I enjoy most about doing voiceovers is that you can be completely unconscious with the rest of your body and just concentrate on doing something with your voice, creating an entire character with your voice.
You're being cast for your acting ability. It's not based on the way your body functions. If you're playing a lead in a movie, it's for that character and they'll tailor it to you. In a dance company, you have to fit in a definite mold.
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