A Quote by Thiagarajan Kumararaja

It is up to the directors to take risks in telling a story and if they want to experiment, they should work with the right kind of people. — © Thiagarajan Kumararaja
It is up to the directors to take risks in telling a story and if they want to experiment, they should work with the right kind of people.
We're just one cog in this giant machine. You show up and look at all the other cogs like, "Wow, everyone is the best at what they do." You're in really good hands. And that frees you up to play and feel safe, and you can take chances, creatively. You can take risks. I want to show up to work and take risks. I don't ever want to play it safe.
In terms of getting people to experiment more and take more risk, there are at least three things that immediately come to my mind. Number one, of course, is role-modeling it yourself. Number two is when people take intelligent, smart risks and yet it doesn't work out, not shooting them. And number three, being honest with yourself. If the culture you have is radically different from an experiment and take-risk culture, then you have a big change you going to have to make—and no little gimmicks are going to do it for you.
I want to do more theater, which allows you to take bigger risks and experiment.
If designers are willing to take risks, I think buyers should take risks, as well with press taking risks.
To me experimental fiction ultimately is about the experiment and I'm not interested in experiments for their own sake, and if anything I've always steered a bit clear of that kind of thing, because it seems gimmicky to play around with text rather than do the work of telling a story and creating characters.
At a certain point, I realized that I could draw anything, and there was nothing I should avoid - I could make it work. That's opened me up to being able to be much more comfortable telling any kind of story.
Changes are required as far as scripts are concerned. People need to open up and experiment in story lines. But we don't have good script writers, producers or directors. The Punjabi industry lacks cinema knowledge and professionalism. It is the saddest part.
I want to show up to work and take risks. I don't ever want to play it safe.
At one time, smaller, and story-heavy films were not appreciated much but exposure has made the audience aware of what great story-telling is. This has also ensured that the right actors are cast for the right kind of roles.
Right after college, after growing up in the United States, I moved to India, broadly telling the story of how an old and stagnant country was suddenly waking up. And I came home, back to America, in 2009 after telling that story and writing a book about that.
In terms of getting people to experiment more and take more risk, there are at least three things that immediately come to my mind. Number one, of course, is role-modeling it yourself. Number two is, when people take intelligent, smart risks and yet it doesn't work out, not shooting them. And number three, being honest with yourself.
Rather than saying people aren't interested when things don't take off, you should take it on yourself to say, 'I'm not doing a great job of telling the story in a way that makes it interesting.'
Rather than saying people aren't interested when things don't take off, you should take it on yourself to say, 'I'm not doing a great job of telling the story in a way that makes it interesting.
And let me say this as a politician I can promise you this, political leaders will never take risks if the people do not push them to take some risks. You must create the change that you want to see.
I'd love to take a stab at writing videogames. There are a lot of storytelling opportunities that really aren't being taken advantage of in that field. I'd like to experiment with telling a truly non-linear story.
The characters are telling you the story. I'm not telling you the story, they're going to do it. If I do it right, you will get the whole story.
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