A Quote by Thomas Grennan
I want a number one record, I want to be travelling the world, I want to be playing in front of thousands of people.
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If I want to do an orchestral record, if I want to do an acoustic record, if I want to do a death-metal record, if I want to do a jazz record - I can move in whichever direction I want, and no one is going to get upset about that. Except maybe my manager and my record company.
So when I speak in front of thousands, tens of thousands of people, I don't really get nervous because I know what I want to say and I know what message I want to give.
Roadrunner wanted to make Born in the Flood the next Nickelback, but I didn't want to be that. I didn't want to be a huge rock star playing songs I didn't like. I didn't want to be stuck playing 'Anthem,' the song everybody liked but I didn't want to put on the record, for the next five years.
I want a room that I can definitely pack out. I don't want to sweat that part, "Am I gonna have enough people?" So I usually pick like a hundred, a relatively small room. Also, I'm looser in a small room. I don't want to record an album in front of a thousand people, not that I could draw a thousand, but I just want a room that I can really work back to front. That's just a very comfortable place for me to be loose.
Looking back on humanity's battle with pollution, history has been made by thousands of ordinary people who one day say, 'No. I'm not satisfied. I don't want to wait, and I don't want to pass the buck. I want to stand up and do something. I want to do it here, and I want do to it now.'
Some people, they don't want to be that loved, they don't want to be that involved, they don't want to be part of your family. That's where the pain comes in. You want the world to be what you want it to be, and sometimes the world doesn't want that.
If you want to look good in front of thousands, you have to out work thousands in front of nobody.
If you are on the front foot playing attacking football and you want to score goals, that is what people want to pay money to watch.
I want to see all the countries in the world and learn all the languages. I want to have thousands of friends and I want all my friends to be different. I want to play six instruments. I want to be the best in the world at two things. I want to be a great athlete and I want to be a great surgeon. I need to practice very hard every day. I need to sleep as little as possible. I need to read at least one major book every week. And I need to remember that my seventy years are going to go by too quickly.
I'm delighted to be Number 1, but next week I don't want people to buy my record, I want them to buy Band Aid.
I am the audience. I want to observe people. Even when I'm playing drums onstage, I'm watching people. I'm looking at them and their faces and their T-shirts and their signs. And travelling by motorcycle, especially, the world is just coming at me.
I don't want to be famous. I want to be secure. I don't want the world. I just want a piece of it. I want people to remember Eric Davis.
I want a world without war, a world without insanity. I want to see people do well. I don't even think it's as much as what I want for myself. It's more what I want for the people around me. That's what I want.
People don't understand the kind of fight it takes to record what you want to record the way you want to record it.
I want to be Lon Chaney. I want to be Karloff. I want to help people escape the mundane world. I want to make their skins crawl. And I want them to love it every bit as much as I do.
Obviously, it's designed by record company executives who want a cheap success, and they don't want to give money to anybody and they don't want to give contracts, so they've created this world of very bubbly teenagers who want to be "idols" and they think all they have to do is mime quite well and they've made it. ... But it's not the problem of the kids, it's the problem of the record companies, because it's just an inexpensive way for them to have so-called, I won't say "artists", but erm...You're nodding, you know what I mean.
