A Quote by Thomas Grennan
Seeing them all on Twitter, see it happening at shows, audiences getting bigger. I can't believe I'm doing Brixton. But it's all happened organically, that's why I love it. I've never been a beggar, and I don't think I've begged it at all.
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Now you are seeing electronic dance music producers on TV, on talk shows. It's so great to see the festivals growing bigger and bigger, it's like one big family that's all partying with each other. I love being a part of that.
I feel these shows allow you to be yourself, this is why I like to be part of them. Also, reality shows have a much bigger reach and provide a bigger platform for an actor.
I like to see writers reach bigger and bigger audiences, and stand-alones have allowed some of them to do just that.
When we were doing shows in the mid-'90s, the audiences were 95% black. What's happened now is the gentrification of hip-hop. A lot of cities passed ordinances that made it hard for black audiences to gather in large groups. Clubs are more open to hip-hop now 'cause it's the same crowd that goes to rock shows.
Love shouldn't make a beggar of one. I wouldn't want love if I had to beg for it, to barter or qualify it. And I should despise it if anyone ever begged for my love. Love is something that must be given -- it can't be bought with words or pity, or even reason.
When you think about email or IMing, why aren't you writing back? I can see your avatar, I know you're online, why aren't you writing me back? But with Twitter, everybody sends their responses to Twitter, and Twitter then sends them out to everyone. So there's not this constant connection. You can be hyperconnected, then you can take a break for a couple days and it's fine.
You remember from watching the show, there are no "jokes." That's why if you see people on Twitter accusing me of being a "joke thief," I just tell them to come to one of my shows.
I like it all. I love getting inside of people's heads and playing what drives people and what makes them do what they do. That's always been what's most interesting to me about being an actor. The analyzing of what's happening, but even more so, just letting it all go and playing is fun. I love just seeing what comes out of you.
Your cowardly self-delusions about “love” when you know as well as I do that there’s never been anything between us but contempt and distrust and a terrible sickly dependence on each other’s weakness- that’s why. That’s why I couldn’t stop laughing about the Inability to Love, and that’s why I can’t stand to let you touch me, and that’s why I’ll never again believe in anything you think, let alone anything you say
I've always loved to fight. I love what I do, and that is why I've been doing it for so long. I really enjoy fighting and competing at a high level. I love getting in there and getting after it.
When you think about Twitter, there are people all around the world reporting twenty-four seven, every second. They're reporting what they're seeing and what's happening around them. So there's a lot of potential for breaking news.
I used to love watching Angela Lansbury and other people when they were doing voice-overs for Disney shows. You'd see them doing these wild gestures in front of the microphone. I used to think, 'Is that really necessary?' What you realize when you're doing it is that that's the only way.
Since my act is a goofy reflection of what's going on in my life, I started doing pot jokes, and I noticed that audiences invariably love pot jokes. Even people who don't smoke pot think it's a funny subject. So when I started getting laughs, I started doing more material about it. When people come to see my shows, there are a lot of stoners in the audience, but there are also a lot of people who just like me. So I try to give a healthy mix, where people aren't going "There are too many jokes about pot!" or "There's not enough jokes about pot!"
I actually love Twitter, but I don't ... I never know what to ... I get a lot of my news from Twitter. But, I never ... I sometimes just don't think ... I think Twitter is full of a lot of talkers and not many listeners, so I'm happy to be one of the listeners.
I think it's keeping a surprise element, so that the audience never gets ahead of you. I like to pull the rug out from audiences, I don't like for them to think they know what's happening next.
