A Quote by Thomas Kail

When 'The Sound of Music' aired live on NBC, 18 million people were talking about theater the next day. That's incredible. 'Grease' felt like a chance for me to participate in that landscape.
That's what I was trying to say when we were talking about sound. I think that every person, whether they play music or don't play music, has a sound - their own sound, that thing that you're talking about.
I posted a video a day for almost two months and was hardly sleeping, but I think it really pushed me to give music everything I had in me. I knew it was a chance I couldn't miss. The funny thing is I never saw my music video when it aired during the Super Bowl because as soon as I heard my song start I was in tears for the next 10 minutes! The most amazing thing that came out of all of this, however, was the support that had developed online. Without the people that came back day after day to vote for me, I'd be nowhere, and I really owe it all to them.
When I hear what we call music, it seems to me that someone is talking. And talking about his feelings, or about his ideas of relationships. But when I hear traffic, the sound of traffic - here on Sixth Avenue, for instance - I don’t have the feeling that anyone is talking. I have the feeling that sound is acting. And I love the activity of sound... I don’t need sound to talk to me.
The Olympics are getting mixed reviews. People are angry at NBC for showing a promo that revealed the winner of a swimming event even though the race hadn't aired yet. NBC apologized saying, 'We're just not used to people watching our network.'
It felt really nice to not have anybody talking about numbers, and no one is talking about ratings. From my experience, it felt like there was one person running the ship and it felt like there was space for Jenji to be at the helm. That's not what I've experienced in television before. It felt more akin to an interesting movie, where there were producers who were really excited by the work and wanted to make space for the director's vision to be sort of shared with an audience. It felt more cohesive.
I find there is room in music to talk with music. It may expand ways people can participate with music. It doesn't sound hokey or like some kind of voice-over.
There were hard days when you'd be screaming for hours and then the next day, you'd have a scene where you were just talking and because your voice was so stretched out from screaming for five hours, it would sound weird. It required a lot of adrenaline, too, so you have to be able to turn it on all the time. You felt a bit thin at the end of it, just depleted.
MSNBC host Lawrence O'Donnell is saying Donald Trump lied when he said he made $20 million a year off his 'Apprentice' series on NBC. NBC also denied Trump's claim, saying, 'We don't have $20 million. We're NBC.'
Will Bridges, who is the co-creator with me, when we were working on 'SuperBob,' we were just talking about how we like to write about relationships. And we were talking about what love is. We were in very different stages; he was married and was about to have his first child, and I was kind of dating the wrong people.
As Churchill said about the Great War, and he said this in about 1924, that it was the first war in which man realized that he could obliterate himself completely. If you consider the way the whole world was impacted, 18 million people worldwide died, and that is taking into account military and civilian deaths: 18 million people. And it was the whole world, if you will. You know, many of those trenches were dug by Chinese. There are photographs of Chinese looking like they just came from China, with their hats and so on, digging the trenches, right from the beginning.
Back in the day, if someone said that hip hop and rap was a fad, that was a joke to me because they just didn't know what they were talking about. In reality, there were so many people who didn't know what they were talking about it.
'New Jack City' was a perfect marriage of music and film. They used a lot of musicians: myself, Christopher Williams. People that were popular because of their music were given the chance to act. And the soundtrack was incredible.
What's holding me up is I'm confused about the nature of the music. Because the modern music doesn't reach me. I mean to say the sound of the modern electric production. A lot of sequencers... synths. That's what people are buying. Because that doesn't reach me, it throws me back to like 1948, but I don't want to be there. Back there, I'm talking about blues records... The roots of rock'n'roll is rhythm and blues and that's like really where I'm at, where I was always at.
We have no chance to comprehend what goes on there - it's so dramatic, and people are so poor. We all felt bad about being there. Filming in India felt like we were going to borrow something knowing that we were never going to give it back.
This may sound a little West Texan to you, but I like it. When I'm talking about.. when I'm talking about myself, and when he's talking about myself, all of us are talking about me.
Before Grease 2, I was called the next Richard Gere, then after Grease 2, nobody would touch me.
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