A Quote by Thomas Perry

All writers are mimics, and I'm not interested in picking up somebody else's style or voice. — © Thomas Perry
All writers are mimics, and I'm not interested in picking up somebody else's style or voice.
I really enjoy picking up the physical rhythm of somebody else, speaking with their voice. I've never done in anything in my own voice, and I can't imagine what that would be like. It would be weird, I guess.
I grew up reading the 'Village Voice' and wanting to be one of these multidisciplinary music writers, film writers, book writers. And I lucked out getting a job at the 'Voice' right after college.
Nick Flynn is another writer I admire - his fragmented sections, his playfulness with genre, his urgency. The palette in his work is his style, a voice that is singular, and that's what I think writers should strive for, to have a style and a voice that is only theirs.
When Marvel put together Ultimate Spider-Man and someone came up with the idea of having Principal Coulson, they said, "Do you want to do the voice?" I thought, "I have to do the voice!" Because I have a daughter and we watch some cartoons, I couldn't bear the idea of tuning in and hearing somebody else's voice.
As players at Bayern, we're not interested in any boredom - we're interested in picking up three points each game.
I got this big fear of doing smoking jokes in my act and showing up five years from now goin' [puts mic to his neck and speaks as if he had a mechanical larynx] 'good evening everybody, remember me, smoking's bad. [puts cigarette to neck and mimics smoking it] Eeww. You ever seen somebody do that? I've seen someone do that. Let me tell you something — if you're smoking out of a hole in your neck [mimics it again] I'd think about quitting. And that's just me, ya know.
You get used to working with one choreographer. You kind of get stuck in that vein and you work your way out of it, picking up someone else's style, their flavor. It takes a bit of time.
Style means you have a real curiosity about yourself and then you express it. Having style is not copying somebody else.
I think all writers have a style, a particular voice and rhythm that you have to find.
It was interesting doing impressions as somebody else doing impressions. Normally, I'll do a voice, and it's me doing the voice. To have to be Robin Williams doing the voice was an interesting sort of study in getting into somebody's head.
There's not a day I live that doesn't start with me getting up and first saying, "What can I do for somebody else?" Whether that means sending something to one of my children or picking up the phone and calling a stranger who is in the hospital, I start every day by wanting more for others than I do for myself.
If I was singing like somebody else, then it was almost like I was expressing myself like somebody else. So it was always a very original thing for me. It's my voice, it's my diary, it's the way I connect with people.
James Wan is somebody who doesn't have any problem coming in and directing somebody else's script, he'll be the director for hire and he has his own style and he loves that.
Like Hemingway and Faulkner, but in an entirely different mode, Fitzgerald had that singular quality without which a writer is not really a writer at all, and that is a voice, a distinct and identifiable voice. This is really not the same thing as a style; a style can be emulated, a voice cannot, and the witty, rueful, elegaic voice gives his work its bright authenticity.
Let's stop reflexively comparing Chinese writers to Chinese writers, Indian writers to Indian writers, black writers to black writers. Let's focus on the writing itself: the characters, the language, the narrative style.
I knew that we were clicking when mimics started kidding my voice, I'll know that I'm on the way out when they stop doing their imitations.
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