A Quote by Thomas Vinterberg

I shot a Metallica video in Hollywood, and there were, like, 100 people on set. There was even a guy there to put antiseptic gel on my hands. Amazing. If I asked for that on a Danish set, they'd probably kick me out of the country.
I knew when I shot the 'She Keeps Me Warm' video that the comments were not going to be homophobic... that they would be about fat-shaming. I'm a large girl making out with somebody. I knew just that sheer fact would set people off.
"Dollhouse" was really insane. We shot it at this top house studio in Brookyln. It was really cool. I designed a mini dollhouse that we used. I made it all by hand and decorated each room, and we based the actual set off of that. The Dollhouse was just plain wood and I put roofing on it and everything. I got real carpet for it. It was crazy. It was definitely an interesting experience. It was the first music video I've ever made. It was definitely stressful but awesome. Everybody was really amazing on set; we just had a blast doing it.
If you type 'Salt Flats' into YouTube, you'll find 100 amazing videos that were shot out there, but you won't find any that were shot in the rain.
I don't feel like a live set even seems super real for an electronic act like me. It's not really that entertaining. I've seen a lot of my favourite acts take it to a new level with a live band and stuff, which is amazing, but for me, a live set would be boring to watch.
A few years ago I appeared on GLEE and, Jane Lynch and I did a remake of the song that was very popular - someone told me it was in the Top 100 when it was released. First, walking on the set of GLEE the day we filmed it was surreal as they had recreated the entire original set from the music video. It was bizarre - but fun.
In 22 years of acting, I've only done two movies where I, personally, kill people. The Coens called me the Spanish Ballerina on (the No Country For Old Men) set, because every time I had the gun, when they called cut, I'd give it back and say, 'Take this s**t out of my hands!' There were laughing, like they couldn't believe I was supposed to be the villain.
Just getting back to the essence. Even the record I put out, "1 of 1," I went to Jamaica and shot that video and I'm singing in the song - that was different for me.
I wanted to put a song out there to let people know who I was and, at the same time, help me set apart from a lot of different people in country radio.
One set at extreme intensity does the muscle-building job. It must be stressed that the one final, all-out set I do takes me to the very limit of my capabilities. If you feel you can attempt a second set, then you couldn’t have been pulling out all the stops during the first set. It's not pretty, but it works.
When I put out 'Video Games' in May 2011, it was a 5:25-minute love song; I was surprised when a lot of people said they were listening to it. I was surprised when it went to the radio, without me even knowing how something like that even happens!
Every NBA arena has six cameras in the ceiling. The question is what does the software do with video feeds? How to surface that in a set of analytics? There are some "playbooks," but in most sports these days what you really want to share out with coaches and players is a set of video that lets you visualize what's going on and what's the best way to do things.
When I got back to my cell, I said, 'God, I asked you to set me free, not kill me.' God spoke to me and said, 'Andrew, I have set you free from the inside out, I have given you life!' From that moment on I haven't stopped worshipping Him. I had never sung before, never led worship, until Jesus set me free.
I never set out to convert anyone in the Klan. I just set out to get an answer to my question: 'How can you hate me when you don't even know me.'
I was at an autograph show, and there were a lot of people from TNA there doing meet and greets. One of the girls from TNA there asked me why I hadn't joined yet and I said I'd tried and it didn't work out. She asked me to give her a video and pictures, and a few days later I got asked to do a tryout.
I don't know if a pro wrestling career prepares you for Hollywood. When you get out there, and you're in an arena for 20,000 people or 90,000 people, it's a lot different than being on a quiet set with 100 people, so I think you get used to dealing with cameras.
I think I can speak for a lot of people in that they would be pretty nervous about meeting Harrison Ford, and I was definitely one of those people. For me, and I think for all of us, once you get to know him, you do get on very well. He's such an amazing person and an amazing actor. There were so many young people on the set and he really pulled the best out of us.
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