A Quote by Thomas Vinterberg

My whole life has been a very communal experience; growing up in a house full of happy hippies, having dinner parties three days a week, and going to Christiania, I was constantly surrounded by people celebrating community. If you look at the films I've done, they all share that theme.
I look forward to hosting an Iftar dinner celebrating Ramadan here at the White House later this week, and wish you a blessed month.
But I think we're going to have people who work from home a couple of days a week, three days a week, four days a week. And I'm perfectly comfortable with all that.
I pastor a very large church in western Australia. We have about - over 2,000 people, which we have a Bible school, community services, a lot of things linked with it. So my life's very full today. Not enough days in the week.
I like being surrounded by people who have very little fear and very little respect for the past - not in a negative way, but in a positive way. They appreciate everything that's been done, but they constantly look for how to do it better.
People are very proud of Newcastle, very proud to come from here. This is a working class City and they just want to enjoy themselves and live life to the full. They work all week, pick their wages up at the end of the week and they spend it over a weekend by having a good time and watching the football. That's our life.
When making a film, I'm never concerned about whether the theme is new or whether it's been done before in cinema or not. I'm led to make films if there's a theme that interests me or I experience something in my own life that confronts me with something that I want to deal with.
The BFI recently did a study of the British films that have the most people of color in them in the last 10 years, and in the top 10, three of the films were my films. I've always been a glass-is-half-full person. I've always gone, "If people aren't going to do it, I'm going to do it".
Having dinner with somebody you've looked up to your whole life is quite a memorable thing. Like, 'Wow. I'm having dinner with someone who is a huge inspiration to me.' That's intense.
With three work days a week, we would have more time to relax; for quality of life. Having four days off would be very important to generate new entertainment activities and other ways of being occupied.
I think growing up in skating, I was surrounded by the LGBT community, so I grew up very aware because I was around it so often, and some of the kindest people I know are gay figure skaters.
When I was nine or 10, I remember having a dinner party at my mum and dad's house. I wanted to have a Thanksgiving dinner because I'd watched so many films that had Thanksgiving in it and I thought: 'Why do we not celebrate this?' So I cooked this big Thanksgiving dinner for probably 10 people and I wouldn't let anybody help me.
Before, models had that rock star life and it was all about going to the parties and having that glamorous life, and I think these days, models are more like businesswomen and the whole industry takes it really serious.
If you are really feeling happy, you are feeling happy even if the whole world contradicts you. If the whole world agrees that you are not happy, then too it doesn't matter. Your happiness is real. It cannot be canceled by anybody's opinion. But if your happiness is unreal, it can be canceled by anybody. Even a small child can cancel it. You will be constantly looking towards people. You will be smiling, trying to show that you are happy so that they can say, 'Yes. You are very happy. You look very happy.'
We all have some experience of a feeling, that comes over us occasionally, of what we are saying and doing having been said and done before, in a remote time - of our having been surrounded, dim ages ago, by the same faces, objects, and circumstances.
I look back upon graduate school as being a very happy period in my life. The chance to be thoroughly immersed in physics and to be surrounded by friends pursuing similar goals was a marvelous experience.
People link the 80s to that very liberal theme, growing up in a very liberal world, having ideals or not having ideals. The 80s were an confusing era.
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