A Quote by Thomston
I love to act, so the only way I could act was through community theatre and they would just do musicals. My musical upbringing was show-tunes and it sucks and I have been trying to get away from it ever since.
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I do an act, and I've been doing an act for 50 years. I do a variety show, which is a musical comedy show. I do comedy, and I do singing, Broadway show tunes and different songs that I like. Been doing it for many, many years.
I once told someone I could act. They totally bought it. I've been getting away with it ever since.
I always think out a problem as clearly as possible, and then act on it. My theory has always been to get started. The moment I get an idea I act upon it. If only people would act on more of their ideas, I am convinced they would lead more interesting lives.
When I write songs, I'm just writing stories, and being in musical theatre taught me how to act them out through singing.
Oh God, God, please come to me, please illumine me, please act in me and through me. I don't know what's right and what's wrong. I can't tell anymore. I could be doing what I feel is right and perhaps I'm deceiving myself. Perhaps it's all my ego and my vanity. Please show me what's right or don't even show me. Please just do it, whether it brings me happiness or unhappiness, riches or poverty, sorrow or joy. Please act in and through me. I love only you.
I discovered that I act because I really love to act. I don't act because maybe it will get me a magazine cover or that I can get on a talk show.
I have been running since I was 7. I was trying to restructure the way my body was made instead of trying to master the way I ran. I would get so frustrated with my starts in practices that I would just cry. When I ran, I wouldn't even try to get out of the blocks, I would just run.
I've been extremely lucky in that I've been a very successful model for a long time. So now I'm an actress and a mother. I'm a theatre rat, which I always wanted to be - I've wanted to act since I was 14 - and I never get bored, ever, and I have four beautiful children. I am, in fact, so darn lucky.
When people ask me if musical theatre should be taught in music colleges, I reply that there is no need. All anyone needs to study is the second act of La Boheme because it is the most tightly constructed piece of musical theatre that there is. It is practically director-proof: you can't stage it badly because it just works too well. If you can write La Boheme, you can write anything. I would also recommend studying Britten's Peter Grimes.
I have been trying to get theatre releases for short films ever since I have been making them. I didn't get any response from theatres initially.
Everything has to be intrinsic plot-wise in the same way, to use the Linda Williams analogy but to move it on a bit, as musicals - in old musicals, like in an old Cole Porter musical, you get the action, then they do a song, which reflects a moment - everything stops while that is being sung - and then you restart. These days in most musicals, the plot keeps moving through the song. I think it would be nice if someone constructed some pornography where the sex continues to propel you through the story.
When I come into the theatre I get a sense of security. I love an audience. I love people, and I act because I like trying to give pleasure to people.
You know, women are acting the way they want to act now. Years ago they would hide it in the way they dressed, the way they speak, even the way they act in bed. Today, they're doing the same thing, but they're dressing the way they want to be treated and, when you're with them, acting the way they want to act. And you know, honesty is the best policy. I love that.
There's a lot of great, talented, passionate musical theatre practitioners and directors here. But it's very hard to suddenly start building great musicals in a town like Sydney where there hasn't been any great musicals built.
Theatre has nothing to do with buildings or other physical constructions. Theatre - or theatricality - is the capacity, this human property which allows man to observe himself in action, in activity. Man can see himself in the act of seeing, in the act of acting, in the act of feeling, the act of thinking. Feel himself feeling, think himself thinking.
The only way of full knowledge lies in the act of love; this act transcends thought, it transcends words. It is the daring plunge into the experience of union. To love somebody is not just a strong feeling-it is a decision, it is a judgment, it is a promise.
