A Quote by Ti West

I'm doing an over-the-shoulder shot on a dog. I'm putting the camera behind the dog's shoulder. This is craziness. You just accept it in the movie [Valley of Violence], but when you make the movie, it's the weirdest thing. There's dog coverage, like it's a person.
Ethan [Hawke] just - they got along great. He got to act with a dog, for real, and it felt like Jumpy was acting with him. It was a surreal thing to watch. When you watch the movie [Valley of Violence], you just kind of accept it. But if you do think about how we show - there's a dog and a movie star interacting - and you buy it. That's crazy.
At this young age I am already sold on the idea of the dog. One of God's absolutely greatest inventions and one that needs no more tinkering. The dog is the perfect beast, companion, friend, shoulder to lean on, and scapegoat when too many cookies are missing. And a dog won't hold that against you, either. I am at peace sitting in silence with a dog.
It's this long monologue [in Valley of Violence] with Ethan Hawke talking about life and everything with a dog. That's not in movies. Hopefully when people think about the movie when they go home, they're like, "That's weird. He's maybe crazy. He's talking to a dog the whole time."
If a dog is biting a black man, the black man should kill the dog, whether the dog is a police dog or a hound dog or any kind of dog. If a dog is fixed on a black man when that black man is doing nothing but trying to take advantage of what the government says is supposed to be his, then that black man should kill that dog or any two-legged dog who sets the dog on him.
I think overall, making a movie is like putting a stamp on the world. Every time I make a movie, I feed in elements to make sure that it's my movie. I'm marking poles like a dog does. This is how I show my movies to the world.
One of my favorite scenes of the movie [Valley of Violence] is when Ethan Hawke is sitting at the campfire with the dog.
My main characters are the most sunny, happy, optimistic, loving creatures on the face of the Earth. I couldn't be happier that's where I start. I can put as many flawed people in the dog's world as I like, but the dog doesn't care. Dog doesn't judge. Dog doesn't dislike. Dog loves. That's not so bad.
Show business is dog eat dog. It's worse than dog eat dog. It's dog doesn't return dog's phone calls.
Jumpy is the most incredible animal of all time. The movie [Valley of Violence] is the tamest example of what that dog is capable of.
If you get a dog, take care of your dog! You can just not have a dog if you don't feel like taking care of one, it's very easy to not have a dog.
The eyes of a dog, the expression of a dog, the warmly wagging tail of a dog and the gloriously cold damp nose of a dog were in my opinion all God-given for one purpose only-to make complete fools of us human beings.
I have this rule. It's called 'Top Dog-Underdog:' Underdog gets to make fun of Top Dog, but Top Dog can't make fun of Underdog. But you know what? You get Top Dog, you get to be Top Dog. Congratulations! And that dynamic happens not just in race but in many different ways. It's like the male-female dynamic.
I can't speak American dog very well. There was a lot of improvisation with Uggie - like when I put the dog on the table or sometimes I follow him, sometimes he follows me. I had a lot of treats in my pocket. We worked with Omar Von Muller, the dog trainer. It was very easy because it was a big movie.
It is the job of the dog trainer to summon the dog's genetics, not to impose man's will over dog's.
The excuse of having a dog is great, because before I had a dog, I wouldn't be like, 'I need to go hike for two hours'; my girlfriend would have been like, 'What are you doing?' Now I take the dog, and she comes with me.
I have a part-time dog. I'm actually an aunt to a dog, and he's an awful dog, but I love him. He's only interested in doing what he wants to do.
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