A Quote by Til Schweiger

Action alone doesn't work in Germany - you need an emotional element to the story. — © Til Schweiger
Action alone doesn't work in Germany - you need an emotional element to the story.
Action alone doesnt work in Germany - you need an emotional element to the story.
You want the story to be about something, have some deeper meaning, but there is also an emotional, almost instinctual, element, which is, does this story seize some part of you and compel you to get to the bottom of it?
I think that emotional content is an image's most important element, regardless of the photographic technique. Much of the work I see these days lacks the emotional impact to draw a reaction from viewers, or remain in their hearts.
'Affinity' is beautiful and intense, with no laughs. It's a rather delicate and emotional love story, with a spooky element.
It's not enough to identify the Superobjective intellectually; you have to justify it, to find the emotional drive behind it. You need your own specific interpretation of the superobjective so that every time you think of it, it makes you emotional and drives you into action.
The ESM, the European Stability Mechanism, is not funded by Germany alone. Twenty-seven percent of the bailout package comes from Germany. Italy and France together cover a total of 38 percent. That's reality. It makes no sense to say that everyone wants to get at Germany's money.
You have to know the rules, otherwise you have no tools to communicate to the audience, but to keep it fresh you have to break some. I don't choose genres as the element, but the material itself is the element, then I'll decide what genre I need. That's just how I work.
I think what makes a good action film is a story that gets you involved. Just action, by itself, is not going to work.
I can say to the German people that the United States has been good for Germany. Has looked out for Germany. Has provided security for Germany. Has helped rebuilt Germany. And unify Germany.
Whether I'm acting or making it, at the end of the day it's telling the story; action, drama. You want the audience to feel it - the story, the action, the scene, or a particular shot. I just keep working on crafting my art, on how to make action movies.
Action is a way of externalizing an emotional state. You might not be running, leaping, climbing and doing all that. But, the way you create that emotional state in a movie is by having the characters have physical jeopardy that they have to work against.
An emotional story is an emotional story no matter how big or small it is.
Although shooting action-packed movies is a physically hard job and I repeat movements over and over, those action scenes alone, regardless of rest of the story, gives visual pleasure to viewers. They also give some satisfaction to me as an actor.
I think, for a love story, the most important element is the music, since you don't have action sequences or item numbers. It really draws in the audience and adds to at least 70 percent of the opening of the movie.
You have to tell a super story that has some fantastical element, but the human element is what's going to keep people watching.
I've had to try and find a way over the years of writing narratively that doesn't really require you to sit down and work out what the story's about. You're brought into a sort of sequence of images that have that emotional resonance, but it's kind of irrelevant what the actual story is. It's taken me maybe 13 albums or something to work that out.
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