A Quote by Tim Burton

He can't fly around tall buildings, or outrun a speeding train, the only talent he seems to have is leaving a nasty stain! — © Tim Burton
He can't fly around tall buildings, or outrun a speeding train, the only talent he seems to have is leaving a nasty stain!
Stain Boy Of all the super heroes, the strangest one by far, doesn't have a special power, or drive a fancy car. next to Superman and batman, I guess he must seem tame. But to me he is quite special, and Stain Boy is his name. He can't fly around tall buildings, or outrun a speeding train, the only talent he seems to have is to leave a nasty stain. Sometimes I know it bothers him, that he can't run or swim or fly, and because of this one ability, his dry cleaning bill is sky-high.
No restaurant, however brilliantly situated, can give you the constantly changing views that you can see from a railway. Revolving restaurants at the tops of tall buildings try to compete, but spinning around is no substitute for speeding along.
Outside of, as a kid, just wanting to be able to fly and run faster than a speeding locomotive and being able to leap tall buildings in a single bound, we'd like to hope that, when push comes to shove, we can do the right thing. I think as long as there is that hope in our society and in the zeitgeist of superheroes, Superman will be relevant.
The truth is I don't really know where my own interest in tall buildings really comes from. It cannot come from my hometown because there were no tall buildings there!
Where does our investigation get its importance from, since it seems only to destroy everything interesting, that is, all that is great and important? (As it were all the buildings, leaving behind only bits of stone and rubble.) What we are destroying is nothing but houses of cards and we are clearing up the ground of language on which they stand.
I don't think things necessarily should have a meaning. If stuff has a meaning then why do [writing] about it? If you're trying to say, 'Tall buildings are great' why not just leave it at that: "Tall buildings are great."
Outrun the people who quit when they feel discomfort, outrun the people who stop because of despair, outrun the people who are delayed because of prejudice, outrun the people who surrender to failure, and outrun the opponent who loses sight of the goal. Because if you want to win, the will can never retire, the race can never stop, and faith can never weaken.
After World War II great strides were made in modern Japanese architecture, not only in advanced technology, allowing earthquake resistant tall buildings, but expressing and infusing characteristics of traditional Japanese architecture in modern buildings.
Societies raise their grandest monuments to what their cultures value most highly. As the tallest buildings in a city noted for tall buildings, the Twin Towers of the World Trade Center were certainly monumental.
Let's have a partnership, Kate. I offer honesty, Kate. I don't have have outrun the Beast Lord I just pissed off, Kate. I only have to outrun you and hit you with my car as I hightail it out of here.
For many years in my laboratory and other laboratories around the world, we've been studying fly behaviors in little flight simulators. You can tether a fly to a little stick. You can measure the aerodynamic forces it's creating. You can let the fly play a little video game by letting it fly around in a visual display.
It is extraordinary how the house and the simplest possessions of someone who has been left become so quickly sordid. . . . Even the stain on the coffee cup seems not coffee but the physical manifestation of one's inner stain, the fatal blot that from the beginning had marked one for ultimate aloneness.
I am all for greening tall buildings, but I'm also very keen to note that greening a building doesn't cope with the problem of the tall building in the texture of the city.
There are hundreds of Frank Lloyd Wright buildings around the United States and in other countries, too. Wright lived into his 90s, and one of his most famous buildings, the Guggenheim Museum in New York, was completed just before his death. Wright buildings look like Wright buildings - that is their paradox.
He was mostly leaping tall buildings in the beginning. There were cases where he would leap off a tall building or swoop down, and at that point he would look like he was flying, I suppose. It was just natural to draw him like that.
We can outrun the wind and the storm, but we cannot outrun the demon of hurry.
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